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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

Art Basel Stages '14 Rooms', An Exhibition Of 'Live Art'

Gareth Harris for The Financial Times 17 June 2014

A tousled blonde temptress gyrates her hips, her gaze fixed on your face. The masked, bruised body moves suggestively in front of a mirror, grinding her body to a Lady Gaga track. The nightmarish dancer turns even more menacing, uttering: “My mother is dead. My father is dead. I’m gay. I’d like to be a poet. This is my house.” But the scantily clad creation is not real. “Female Figure” (2014) is an animatronic sculpture conceived by the Los Angeles-based artist Jordan Wolfson.

The work features in 14 Rooms, a “live art” exhibition that will run alongside Art Basel, the modern and contemporary art fair, in hall three of the Messe Basel site. Billed as a “series of immersive and intimate experiences” by the organisers, the exhibition includes works by 16 artists such as Marina Abramovic, Damien Hirst, Santiago Sierra, John Baldessari and Yoko Ono. Paintings and sculpture are largely banished, and replaced by a “material” that is welcoming and repellent in equal measure: human beings.

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