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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

At The Japan Society, Old Traditions And New Techniques

by Sylvia Rupani-Smith for The New York Times 30 October 2014

Call it Japanese art, 2.0. The Japan Society’s latest exhibition, “Garden of Unearthly Delights,” includes, among other pieces, a modern take on a zen garden; new riffs on traditional woodblock-style prints; and adaptations of Japanese screen paintings made using digital renderings, animation and 3-D graphics. In putting the show together, the gallery’s director, Miwako Tezuka, worked with the independent curator Laura J. Mueller to find two artists and an art collective whose work conveys the breadth and talent of the new guard of Japanese artists. They are, in Tezuka and Mueller’s eyes, true “takumi,” or artisans who take to their subject matter with a meticulousness that is inherently Japanese.

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