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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Related Press

Keiichi Tanaami At Nanzuka

Contemporary Art Daily 22 November 2014

The upcoming exhibition will include large sculptural works in addition to new paintings, including the title piece, Cherry Blosooms Falling in the Evening Gloom, a large painting measuring 3 meters in width. His new sculptures are part of a series of new works that incorporate the motif of his 2012 work Red Drum Bridge, and include a powerful piece in which characters riding in a plane sit atop an uncrossable bridge. Tanaami says that, “it is in my personality to take even the dark experiences of the past and transform them into positive expressions,” however, the world depicted here may be a vision of Tanaami’s own ultimate paradise, transcending both good and bad, suffering and fear.

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