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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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The pick of the 2015 Biennale - by 15 top art-world insiders

The Art Newspaper 30 April 2015
Melissa Chiu - Director of the Hirshhorn Museum and Sculpture Garden, Washington DC. Image courtesy of The Art Newspaper.

Melissa Chiu - Director of the Hirshhorn Museum and Sculpture Garden, Washington DC

What/who are you looking forward to seeing at the Venice Biennale this year?

I’m looking forward to seeing the dansaekhwa (monochrome painting) exhibition from Korea, one of the satellite shows. This is an historical show bringing together works from the 1970s including those of Lee Ufan and Park Seobo. I’m interested in the retrieval of international movements that occurred outside the art centres in the 20th century, and this will be a great chance to see the works together for the first time in a major curated show.

READ MORE ON theartnewspaper.com

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