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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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Related Press

Jin Meyerson: “Don’t Lose Track of Why You Started”

Grace Ignacia See the Artling First published on 9 November 2018

Jin Meyerson. Image courtesy the artist.

Looking at Jin Meyerson's work from a distance, words 'complex', 'psychedelic', and 'warped' come to mind. Get a little closer and you begin to comprehend the sheer talent, discipline and patience one may only slowly acquire through a life of upheavals. Working primarily with oil on canvas, Meyerson constantly works on multiple pieces at once, with larger canvases (and by large we're talking some 3m x 4.5m) taking about 3 to 6 months before completion. Meyerson's creations command tremendous attention - like an Asian contemporary, abstract, beautiful yet disorientating Monet that requires several takes before you adjust in its presence, rather than it adjusting in yours.

READ MORE ON theartling.com


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