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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Related Press

Review: Beatriz Milhazes at White Cube Gallery

Vasavi Seethpalli ArtAsiaPacific 20 May 2015
Beatriz Milhazes, Small Windows, 2014, collage, 90 × 108 cm. Copyright the artist. Courtesy White Cube, Hong Kong. 

Flamboyant, vibrant colors and patterns bring energy into the otherwise quiet, Hong Kong outpost of London’s White Cube gallery. Part of Beatriz Milhazes’s first solo show in Hong Kong, they comprise a new series of paintings and collages by the Brazilian abstractionist, inspired by the sharp constrast between the exotic native flora of her native Rio de Janeiro and the city’s dominating, urban environment.

Milhazes’s kaleidoscopic artworks are created in her studio, which is located in the vicinity of Rio de Janeiro’s luscious botanical gardens. A graduate of communications at Hélio Alonso University, she began studying art at the School of Visual Arts of Parque Lage in 1980, where she discovered a passion for decorative arts. The influences of exuberant Brazilian culture and European modernist abstraction inform her bold imagery of arabesque motifs and lacework designs.

READ MORE ON artasiapacific.com

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