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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

Taipei Dangdai art fair sweeps into town

Georgina Adam Financial Times First published on 23 January 2019

Exhibition view: Taipei Dangdai 2019. Image via Financial Times.

Taiwan has just acquired its own, truly international art fair: Taipei Dangdai, which was launched with much hoop-la in the capital last week. City buses were plastered with the fair's geometric blue-and-orange logo; lead sponsor UBS was present with a smart lounge while sleek BMW limos ferried visitors to the rather industrial, but practical, purpose-built Nangang Exhibition Centre.

Collectors, professionals and many usual fair regulars surged into the hall at the private opening, pausing at the entry to take selfies in front of a garish Yayoi Kusama sculpture 'Flowers that bloom at midnight list"'(2016) or clambering on to a plinth bearing a tree by the Taiwanese artist John Yuyi. From there they dispersed through the hall, some heading for the 20-odd Taiwanese galleries, others browsing the heavy-hitters in the central alleyways.

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