French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...
There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Some things can never be seen or known, but this unknowability is itself a sort of conjecture. We cannot be sure of this.
Sunlight takes 8 minutes to reach the earth, the light on the trees or the pavement outside is from the past. Some people believe that remembering also involves a certain deletion of the memory itself, a gentle erasure, in the way that sunlight gradually effects pigments, making them evermore faint, in the way that a shirt will bleach if left too long in sunlight.
A basement space, underneath, one without windows, seemingly isolated, nevertheless makes us think vividly of the outside world. What is absent becomes present. Extended periods of darkness conjure extravagant images and hallucinations in those that have been subjected to this darkness, almost as if the visual vacuum must be filled. What is in our unconscious mind fills this void.
There are many problems for our understanding of the world, including the so-called hard problem. The philosopher David Chalmers speaks of 'The hard problem of consciousness' as being 'how physical processes in the brain give rise to the subjective experience of the mind and of the world.' 'It is one of the most familiar facts in the world that we have this subjective experience but is also one of the most mysterious, why is it that these physical processes in the brain should produce subjective experience, why doesn't it go on in the dark...'1
Artworks can be seen as a physical manifestation of thought, thought in all its richness, analytical, conscious and unconscious, making 'real' those 'images' from the darkness.
Sometimes the artist is seeing or observing others, unconscious of this watching, as in the case of Miroslav Tichý. The subjects are caught unawares, in reflection and in their own other than conscious minds, in the unknowability of thought.
Galerie Christian Lethert would like to thank Fergus Feehily and Daniel Lergon for organising this exhibition, the artists Julia Dubsky, Sophie Erlund, Pius Fox, Roman Gysin, Kathrin Sonntag, Mark Swords and the galleries Å+, Berlin; Conrads, Düsseldorf; Delmes & Zander, Köln; Kadel Willborn, Düsseldorf; Kevin Kavanagh, Dublin; Pablo's Birthday, New York; PSM, Berlin.
1 Hard Problem of Consciousness-David Chalmers, Serious Science. Published on YouTube, July 5, 2016. David Chalmers is Professor of Philosophy and Neural Science at NYU.
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