Ocula Insights

The late artist's tribute exhibition includes works by his contemporaries and the generations he influenced.

Beijing-based artist Xu Jiong's non-conformist works abstract the calligraphic line to depict internal landscapes.

Chou Yu-Cheng's material dialectics are expanded in a new series of 'Origami' paintings at Kate MacGarry, London.

Taking place at P21 and GALLERY2 in Seoul, Haneyl Choi presents punchy, immersive installations that fuse industrial materials and technologies with readymade objects.

Taeyoon Kim explores the expansion of time and space through digital media and moving image in his solo exhibition at Whistle, Seoul.

Anticipation for young artists at this year's edition of Kiaf SEOUL is high.

Heesoo Kim's latest portraits at Unit London explore the threads that connect human experiences, feelings, and emotions.

Summer shows can be uninspired affairs, but Simon Lee Gallery has resisted this tendency.

At Kraupa-Tuskany Zeidler, identity is not a constant but the mediation point that brings together different ways of being.

At Gasworks, Lou Lou Sainsbury activates queer mythologies by illuminating alternative perspectives on being.

At Hauser & Wirth, Hong Kong, Nicolas Party's technicolour worlds emerge from fantasy to contend with ecological crisis.

Bodies and senses shift back and forth to express collective grief and remembrance in the artists' new video installation.

From the small balcony of Espaço Delirium, a presence makes itself known through a medley of familiar sounds.

Musquiqui Chihying re-imagines the lives of stolen Chinese artefacts across European museum collections.

Matthew Wong described his paintings as portrayals of personal and universal nostalgia.

A group exhibition at SculptureCenter in New York hints at the need to re-think anthropocentric systems of measurement.

Martine Syms' directorial debut is 100 minutes of pure visual joy.

Ocula Magazine was on the ground to highlight some of the historical artists being illuminated at Art Basel Hong Kong in 2022.