
For more than 40 years, Ursula von Rydingsvard has developed surprising biomorphic constructions, often on a monumental scale. Placed in nature, these works appear like natural concretions formed by erosion or sedimentation, sentient and rivalling with the surrounding trees and foliage, as we have seen in Chaumont-sur-Loire. They are also remarkably at home in an urban setting, as seen with the presentation of her sculptures in 2015 at the Giardino della Marinessa in Venice.
The artist mostly works with cedar wood, with its unique fragrance and strong weather-resistance; she carves into it in a compulsive manner and covers it with graphite. The exhibition will also present two bronzes cast from wooden moulds. In addition, some works on paper will be shown.
Ursula von Rydingsvard was born in 1942 in Deensen, in Nazi Germany, to a Polish mother and a Ukrainian father, both of whom were farmers. They lived through the occupation of Poland and the traumas of the Second World War. Her family then emigrated to the United States and settled in Plainville, Connecticut. Ursula von Rydingsvard holds degrees from the University of Miami, 1965 and the University of Columbia in 1975.
Her work can be seen in the Domain of Chaumont-sur-Loire, at the Storm King Art Center and the Bloomberg Building in New York, at the Nelson-Atkins, Kansas City, the Barclays Center in Brooklyn and in the gardens of the Museum of Philadelphia. The Yorkshire Sculpture Park, in Great Britain, presented a retrospective of the artist in 2014. Her work can be found in around 30 museums worldwide.
Ursula von Rydingsvard was born in Germany in 1942. Until the age of 8, she comes and goes from a refugees camp to another along with her family. In 1950, the familly settles in Plainville, Connecticut. She passes a Master of Fine Arts degree in the Columbia University in 1975. In 2000, she receives the second prize for the best exhibition in a gallery, awarded by the International Art Critique Association. In 1984, she receives the Guggenheim fellowship.




A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services