With a diverse array of techniques such as repetition, fragmentation, and multiplication, Surabhi Saraf designs sequences of rhythmic movements, creating multilayered structures that slow down our perception of time. Her audio-visual works and interactive installations foreground her study of experimental sound, Indian classical music and choreography. They negotiate ideas of entertainment, experience, sensation and sensationalism and operate with the conviction that it is the numbing of certain sensory realities that generates crucial moments in socio-cultural transformation.
