Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Galerie Urs Meile is pleased to announce wild is the wind, the second solo exhibition of Swiss emerging artist Rebekka Steiger (b. 1993, Zurich, Switzerland) with the gallery. The Lucerne exhibition follows 猫头鹰–virages nocturnes, which was shown in Beijing and focused on Steiger’s residency in Beijing, where Galerie Urs Meile runs its artist residency program. From March to November 2018, Rebekka Steiger painted extensively as a means to cope with the unknown environment she was plunged into, while new motifs as well as a more spontaneous approach to painting found their way into her practice. The artist also started entitling her work as well as mixing languages as a way to create a kind of 'poetic chemical reaction' and unexpected associations between words.
From a compositional perspective, her work underwent a noticeable transformation, increasingly blurring the boundaries between background, middle ground and foreground. The result is a growing tension between abstract and figurative, as exemplified by the work xibu (2018, oil crayon and tempera on canvas, 240 cm x 180 cm) or hanging in midair (above sea) (2018, oil and tempera on canvas, 100 cm x 80 cm). The painting xibu also illustrates the artist’s interest in polysemous words and the imperfection of translation: she chose to spell out the Pinyin version without pitch-accents–xī bù or xì bù–which correspond to two distinct combinations of signs (西部 or 细部). Xibu therefore translates into both 'west' or 'detail (of a drawing)/small part of a whole thing'. Rebekka Steiger plays here with the loss of meaning inherent to the translation process, which allows her to leave the interpretation open and up to the viewer, upon which no pre-existing narrative is imposed.
The same goes for the recurring motifs that inhabit the work: Don Quixotesque riders, birds, erupting volcanoes, intriguing plants and insects, etc. Here again, the figures are not depicted to tell a story: this very personal 'vocabulary of forms' allows for the mind to rest or freely wander in a universe composed of expressive and brightly coloured brushstrokes. During the Chinese residency, some of these motifs underwent a metamorphosis, while new ones appeared in the work: a hint of a dragon (untitled, gouache and pastel on paper, 58 cm x 76 cm) or an owl (cat-headed hawk (amor approximately), 2018, gouache and pastel on paper, 76 cm x 57 cm). The motif of the owl was actually inspired while the artist visited the Beijing antique market, where she acquired a bronze owl statuette. These free associations and 'chance encounters', experienced both by the artist while making art and by her viewers while confronted with the work, are what make Rebekka Steiger’s paintings so appealing and intriguing.
Concurrent to wild is the wind, the Kunst(Zeug)Haus Rapperswil, Switzerland will showcase a selection of Steiger’s work in the solo exhibition If you see her, say hello (February 10 to April 21, 2019. Opening reception: Sunday, February 10, 11:30am). A Walk & Talk led by the artist and Petra Giezendanner, Head of Collection, will take place on Friday, February 15 at 6:30pm.
Born in 1993 in Zurich, Switzerland, Rebekka Steiger is an emerging artist who chose painting as her artistic medium, in which she expresses herself in a virtuoso manner. Her solo exhibitions include: 猫头鹰–virages nocturnes, Galerie Urs Meile Beijing, China (2018); Sykomore, Kabinettausstellung, Kunst- museum Luzern, Lucerne, Switzerland (2017); Helen Faigle, Zurich, Switzerland (2015). Group shows include: Extended Ground, Galerie Urs Meile Lucerne, Switzerland (2017); Rebekka Steiger and Sven Egert, Luzerner Kantonalbank, Lucerne, Switzerland (2017); Jahresausstellung Zentralschweizer Kunstschaffen, Kunstmuseum Luzern, Lucerne, Switzerland (2016). She was awarded two prizes in 2016, an Exhibition Prize from the Lucerne Art Society and an Advancement Award from the Zeugindesign Foundation.
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