With Monsoon Melody on view at WIELS, Brussels, her largest solo exhibition to date, Thao Nguyen Phan discusses her transition to film to explore colonial legacies and ecological destruction in Vietnam.
Los Angeles' art scene has a lot to offer during Frieze Los Angeles, with galleries, non-profits, and museums gearing up for the fair's second edition between 14 and 17 February 2020. In this Ocula Lowdown, Tessa Moldan lists a selection of the city's must-see shows.
Ack Ro' , Jaki Irvine's reflection on the fragility of life at Kerlin Gallery, Dublin, is an 'ambitious, holistic installation' staged like a 'wild disarray of interconnected yet fragmented pieces'.
The aesthetic power of the pictures of Yamamoto Masao (Japan, b. 1957) is unique. Refined, subtle and powerful at the same time. He succeeds to unfold the photographic medium into his own world, far off leading standards. The photo prints are small, sometimes even minuscule, and require a profound observation. The manual modifications by the artist provide an experimental look, with frayed edges and colour additions. His photographs seem to be marked by time, but that impression is the result of a balanced and accurate intervention by the artist. The technique of mixed media and the exceptional prints generate a close connection with the object. Yamamoto narrates no prefabricated story. He offers a glimpse into a harmonious world that is visible for everyone, but not perceived by everybody. For Yamamoto, harmony is the constant interaction between man and nature. Yamamoto's work is anchored in that direct relationship with his environment.
Text courtesy Gallery Fifty One.
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