Through analysis and reconsideration of the different styles, genres and concepts from past eras of art history – from early Abstraction (Otto Freundlich) to American minimalism and expressionism of the 1950s and 1960s (Barnett Newman, Kenneth Noland, Jackson Pollock) and the shrill monochromes of Yves Klein to ready-made objects by Marcel Duchamp – Reyle creates series of large-scale abstract paintings, sculptures and installations made with fluorescent colors, neon lights and found objects that have been removed from their original function. Using unusual shiny materials like foil, glitter, mirrors and special-effects pastes, the artist persistently remakes and explores the definition of painting.