Oliver Payne (b. 1977 London, UK) and Nick Relph (b. 1979 London,UK) live and work in Los Angeles and New York.
Read MoreSolo exhibitions include: BL CK B X, Lux, London (2018); Whitechapel Gallery, London (2009); Le Confort Moderne, Poitiers (2008); Gavin Brown's Enterprise, New York (2007); Herald St, London (2007); Sonic the Warhol, Gavin Brown's Enterprise, New York (2006); Serpentine Gallery, London (2005); How to Recover from Hyper Mode, Millers Terrace, London (2004); Kunsthalle Zürich, Zurich, (2004); The National Museum of Contemporary Art, Oslo (2004); The British School in Rome, Rome (2004). Knoxville Museum of Art, Knoxville (2003); Gavin Brown's Enterprise, New York (2001).
Selected group shows include: Tainted Love (club edit), Villa Arson, Nice (2019); IAN WHITE – CINEMA AS LIVE ART / BECOMING OBJECT, Arsenal: Institute for Film and Video Art in Berlin, Berlin (2019); The End of Selling Out, convened by Mike Sperlinger, Künstlerhaus Stuttgart, Stuttgart (2018); READYMADES BELONG TO EVERYONE, curated by Fredi Fischli and Niels Olsen, Swiss Institute, New York (2018); Ash's Stash, Gavin Brown's Enterprise, New York (2014); The Optical Unconscious / Das Optische Unbewusste, Kunst(Zeug)Haus, Rapperswil-Jona (2014); Yokohama Biennale, Yokohama (2008); Perspectives 159: Superconscious, Automatisms Now, Contemporary Arts Museum, Houston (2007); The Artist and the Computer, Museum of Modern Art, New York (2007); RAW among the Ruins, MARRES, Center for Contemporary Art, Maastricht (2007); Tate Triennale, curated by Beatrix Ruf, Tate Britain, London (2006); Greater New York, PS1, New York (2005); Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania (2004); Musee d'Art Moderne de la Ville de Paris, Paris (2004); Inaugural Group Exhibition, Gavin Brown's Enterprise, New York (2003); Utopia Station, 50th Venice Biennale, Venice (2003); The Tate Triennial of Contemporary British Art, Tate Britain, London (2003); Videodrome ll, New Museum of Contemporary Art, New York (2002); Sound and Vision, Institute of Contemporary Arts, London (2001); Protest and Survive, Whitechapel Gallery, London (2000); Fig-1, Fragile House, London (2000).
Text courtesy Herald St.