
New York – Pace is pleased to present an exhibition of works by Michal Rovner at its 540 West 25th Street gallery inNew York. On view from March 8 to April 18, the show, titled Pragim—the Hebrew word for Poppies—will featureprints, video works, and installations from a series the artist started in 2019. Over the last five years, as part of thislong-term project, Rovner has filmed and drawn wild poppies that grow in her field in Israel.For more than 30 years, Rovner’s practice has centered on universal questions of the human condition—bringingissues of identity, place, and dislocation to the fore. The poppy—which carries different associations and meaningsaround the world—embodies both fragility and fortitude, as well as memorial and loss. The ongoing war hasimpacted the artist’s perspective on her Pragim works, as they now also powerfully reflect the state of unrest andanguish afflicting the region. Using a dark palette of black, grey, and red, the artist imbues her human-scale staccatoswaying poppies with harsh and tragic qualities.
Working across drawing, printmaking, video, sculpture, and installation, the artist often obscures identifying detailsand specifics of time and place in her layered compositions, creating abstract yet resonant reflections of reality andthe human experience. One of her most famous projects is Makom (Place), a series of monumental cubic structurescomposed of stones of dismantled or destroyed Israeli and Palestinian homes from Jerusalem, Bethlehem, Haifa, theGalilee, and the border between Israel and Syria. The Makom series echoes conflicts in the past and present.Working with Israeli and Palestinian masons, Rovner addresses the possibility of creating together, in a sharedexperience of reconstructing and rebuilding.
Press release courtesy Pace Gallery



Michal Rovner’s (b. 1957, Israel) work in video, sculpture, drawing, sound and installation has been exhibited in over 60 solo exhibitions including a mid-career retrospective at the Whitney Museum of Art, the Israeli Pavilion at the Venice Biennale, the Jeu de Paume, and the Louvre. In 2006, Rovner began a series of monumental structures titled Makom (Place) using stones from dismantled or destroyed Israeli and Palestinian houses from Jerusalem, Bethlehem, Haifa, the Galilee, and the border of Israel and Syria. She worked with Israeli and Palestinian masons to construct new spaces encompassing history, memory and time. In 2013, Rovner created the installation Traces of Life at the Auschwitz-Birkenau State Museum devoted to the 1.5 million Jewish children murdered in the Shoah. Rovner’s video installations were exhibited at the Tate Gallery, the Stedelijk Museum, LVMH Headquarters, and Yad Vashem. Rovner lives and works in New York and Israel.




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