
Perrotin is pleased to present ‘Invoke It and a Flower Shall Blossom’, the eighth exhibition of Mr. with the gallery and the fourth in Paris. The show displays a new series of paintings and shaped canvas, two sculptures and a set of works on paper. For a French audience, the work of Japanese artist Mr. is strangely familiar, as it draws on imagery that has become almost ubiquitous. Since the 1980s, anime films, video games, and manga have permeated youth culture almost as much as American productions. Their visual influence is reminiscent of the impact of ukiyo-e (‘floating world’) in late 19th-century Europe and its decisive role in the advent of Modernism. Many contemporary Japanese artists combine and fuse these different visual styles, like the Superflat movement of the 1990s. According to Takashi Murakami, its theorist and foremost exponent, Superflat is not simply a Japanese ‘pop art’ inspired by the entertainment industry. It rather affirms the legitimacy of youth culture aesthetics while embracing the legacy of traditional painting and Buddhist iconography, such as two-dimensionality.



















Mr.‘s neo-pop aesthetics spans across painting, sculpture, installation and video. Associated with the superflat movement, he uses manga and anime to portray his own personal fantasies. While he consistently draws his themes and motifs from the otaku subculture or fandom, he is more specifically a self-described otaku artist. His cartoonish visions are essentially inhabited by young characters, which are meant to evoke feelings of moe (a Japanese notion relating to the adoration of fictional figures). In a typical kawaii style, he sometimes blends childlike features (round faces, wide eyes, colourful hair) with innocent undertones. Contrasting with the bright cheerfulness of his all-powerful characters, a wider reflection upon solitude, social anxiety and fear further underlies his work. Namely, the chaotic environments, within which Mr. stages some of his exhibitions, echo both Japan’s traumatic loss during the Second World War and the Fukushima Daiichi nuclear disaster.




Emmanuel Perrotin founded his first gallery in 1989 at the age of 21. He has opened since then over 17 different spaces, with the aim of continuing to offer increasingly vibrant and creative environments to experience artists work. He has worked closely with his roster of artists, some since more than 25 years, to help fulfil their ambitious dreams and projects.

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