Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
SCAI the Bathhouse is pleased to present Tadanori Yokoo's solo exhibition B29 and Homeland—From My Childhood to Andy Warhol from Friday, May 31 to Saturday, July 6.
Tadanori Yokoo's practice embodies a unique perspective, using an astute and penetrating understanding of the times. His work always attracts international interest, and he applies his talent to a wide range of genres, from the visual arts to literature.
As evidenced, for example, by the 'Y-Junction' series, Yokoo's art is characterized by playing out through a series of iterations on a subject while freely changing the mode of expression. There are as many different types of expression as there are works, and there are as many 'Tadanori Yokoos' as there are different types of expression. This incredibly rich variety stems from the artist's knowledge of art history and his inquiring mind.
The curious title, B29 and Homeland—From My Childhood to Andy Warhol, hints at the complexity of meaning encompassed by the exhibition. Born in 1936, Yokoo's childhood coincided with the Second World War and its aftermath. Fragments of that period, such as occupation forces and aircraft conducting air raids, appear sporadically as motifs in his art. However, as memories and experiences, they creep onto the canvas naturally, rather than as the result of a conscious decision to make war the topic. One could say that to Yokoo, who grew up and produced his art along with the post-war era, the history of modern Japan and that of his oeuvre are inextricably linked.
The principal focus of the exhibition is on portraits of distinguished personalities, including historical post-war figures like Douglas MacArthur, the movie character Tarzan, and the cultural icon Andy Warhol. The portraits are combined with a smattering of Y-Junction pieces, creating a multifaceted world, something akin to a general retrospective of the cultural experiences of the artist during and after the war.
This exhibition, consisting almost exclusively of new works, is an opportunity to examine how Tadanori Yokoo looks back at contemporary Japanese history and culture.
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