
The archaeology of the exhibition Lucken’s Margin traverses territory that begins with a stack of 11 mountain tea-bowls, complete with thumbprint wad from the Heian Dynasty (9-11th century), given to O’Connor in 1982 by the great Japanese artist Ryoji Koie (d. 2020); then proceeds to a horse-bone butter knife, made by a German prisoner of World War Ⅱ who was a pacifist and opposed to the Nazi regime.
Along the way O’Connor honours plain everyday things that are imbued with crucial personal narratives and conceptual layering. These stratified stories define his primary subjects, such as, parenthood, conservation of bird species, hospitality, the mystery of time passing, society’s subcultures, burning apples, and even celebrates the importance of a particular pencil sharpener from the world’s oldest art-supplies shop in Paris.
Three lost porcelain ceramic pieces made in 1981 make guest appearances, in duets with sculptural partners produced during Denis O’Connor’s recent artist residency at Sarjeant Art Gallery, Whanganui. Two of these sculptures explore language, native tongue and speechlessness. We also meet some survivors from the mighty Whanganui River, and get advice on how to improve sleep by one of the most eminent poets of our time.
The exhibition includes a collaboration with Texas-based New Zealand artist Kate Newby.

Denis O’Connor’s sculpture ranges from public monuments to the most private and intimate narratives. Since 1985 he has re-imagined the potential of stone as a material relevant to contemporary art. Collaborations with painters, architects and poets have been a crucial component of his practice.


Two Rooms is a contemporary art exhibition venue located in a converted warehouse in Central Auckland, New Zealand. Opened in August 2006, Two Rooms presents a program of residencies and projects by leading International and New Zealand contemporary artists. The building houses two exhibition spaces, the Project Room and the Long Room.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services