RY ROCKLEN

Through ceramic, modular assemblage, and installation, Shelf Life uncovers the aesthetic sincerity held within the debris of everyday life. The exhibition features a series of wall-mounted mosaics, inspired by the delicate patterns on squares of household paper products. The assembled ceramics, slip cast from squares of bath tissue, paper towels, and napkins, lock into place with surgical masks and shop towels to create a surface peppered with porcelain pantry foods, leftovers, and other disposables.

While much of Rocklen’s past work plays with the role of scale in our interpretations of an object’s form and function, the series of wall works mark a departure in their adherence to pattern, repetition, size equivalencies, and set colour palette. Within Absorption Panel (First Slice), the muted tones and low relief emphasise the formal surface of the sculpture. In contrast to the disposable nature of his subjects, Rocklen’s careful preservations serve to highlight the presence of aesthetic care and intention imbued within each embellishment.

Throughout the gallery, oversized aluminium casts of ritz, goldfish, saltines, cheez-its, and club crackers lie scattered across the floor, as though plucked from the surfaces of the absorption panels. By approaching the same objects from different angles, Rocklen presents a visual iconography which celebrates mass produced products as objects of veneration and value.

Alongside the selection of absorption panels and oversized pantry items, Shelf Life includes two freestanding industrial food storage shelves holding various life-size ceramic figures. Drawing upon his personal collection of ceramic heads, sourced from thrift shops, Rocklen has created torsos and legs to accompany his found objects. Each element of the human body rests on a different shelf, as though awaiting assembly, mirroring the modularity of the wall works. These ceramics impart a sense of harmony in marrying the found object, the readymade, and the handmade, pointing to a sense of freedom in re-presenting and re-interpreting the notion of a ‘shelf life’ as an extension, rather than an expiration.

To put something on a shelf is to save it for later, to set it aside until it can be assembled, employed, consumed, forgotten, or simply discarded. From paper products and canned goods to covid tests and thrift shop finds, Shelf Life serves as an homage to the quiet dignity of the disposable, the unwanted, or the generally disregarded. By transforming overlooked artistries into ceramic, Ry Rocklen grants each of his objects second lives, immortalising not only their design, but his personal, even devotional relationship to them.

In conjunction with the exhibition of Shelf Life at Wilding Cran Gallery, Ry Rocklen will be presenting a concurrent series of ceramic works inspired by abandoned desert homesteads near Joshua Tree, CA. Held at neighbouring Night Gallery, the exhibition of Sand Box Living will open on March 16, 2024 and run until April 20, 2024.

Press release courtesy Wilding Cran Gallery