(1938 – 1997), France

Roland Topor Artworks

Roland Topor worked across illustration, painting, drawing, poetry, literature, film and animation, and acting and singing.

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Animated Films

In the 1960s, the artist began to collaborate with animator and film director René Laloux to produce animated films.

Topor's characteristic wit is evident in the short film Les Escargots (1965), in which a desperate farmer grows crops by watering them with his tears, only to lose them to snails that grow to a monstrous scale. In 1973, Topor and Laloux completed the full-feature Fantastic Planet, set in a fictional planet whose native species enslaved humans. Earning critical acclaim, the work was awarded the Grand Prix special jury prize at that year's Cannes Film Festival.

Drawings and Paintings

Like his cartoons and animated films, Topor's paintings and works on paper show stylised figures and animals in scenes that oscillate between humorous and disturbing. Set in what appears to be a hospital ward, the ink-and-pencil drawing Souvenir de guerre de 14 (1976) shows a wounded man inspecting his bare knees, where nipples seem to have grown, as a fellow patient looks over them in bewilderment. The painting En soi-même (1996) could be described as gore, showing a white bird whose head has penetrated its own body, but Topor's deadpan style—omitting blood and other bodily matter—render the otherwise disturbing image palatable.

Writing and Other Works

Topor continued to write throughout his career, contributing to magazines, publishing novels, and writing screenplays. One of his most well-known written works is The Tenant (1964), a novel about a man surrounded by bizarre new neighbours in an apartment, which was later adapted into a horror film by Roman Polanski in 1972.

In 1975, Topor wrote the stories for the silent comedy La Fille du garde-barrière (1975) and in the following decade adapted the life and writings of Marquis De Sade into the film Marquis (1989) with his friend, Belgian film director Henri Xhonneaux.

Topor has also appeared in films such as Sweet Movie (1974) by the groundbreaking Serbian film director Dušan Makavejev and Werner Herzog's horror film Nosferatu the Vampyre (1979).

Le fils du condamné by Roland Topor contemporary artwork drawing
Roland Topor Le fils du condamné, 1978 Pen and colour pencil on paper
63 x 54 cm (incl frame)
1301SW Request Price & Availability
Le cireur de pompes by Roland Topor contemporary artwork works on paper, drawing
Roland Topor Le cireur de pompes, 1973 Ink and colour pencil on paper
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La dame de compagnie by Roland Topor contemporary artwork works on paper, drawing
Roland Topor La dame de compagnie, 1973 Ink and coloured pencil on paper
63 x 54 cm (incl frame)
1301SW Request Price & Availability
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