Danny Lee's sculpture sources from the spirit of Chinese ink art and the "Landscape Series", surrounds the dualistic propositions between nature and the city. The series reveals Lee's humanistic concerns by possessing the humbleness and introspectivity of Eastern aesthetics, while retaining a faint playfulness, making Lee's artistic language distinctive. In his hands, the medium of sculpture has reached a realm of free and openness; unleashing infinite possibilities by blending with the surrounding environment and ultimately opening up to an artistic dialogue. Lee's sculptures could be seen as a contemporary and three-dimensional interpretation of the Ink Art aesthetics, through which combines the East with the West; the contemporary with the traditional, and ultimately crystallizes different value systems into a coherent embodiment.