Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
This book is published in conjunction with the exhibition Le Choix du Signe held at Almine Rech Gallery Brussels, from May 28th to July 25th, 2015.
Born in 1929 in Sicily, Turi Simeti settled in Rome in 1958, where he regularly visited Alberto Burri's workshop. He started painting and made his debut amongst the artists of the Art Informel movement. In 1960 in Milan, Simeti met Fontana, Manzoni, Castellani and Bonalumi. In this climate of vibrant dialogue, the artist took part in the changes occurring at that time in European art history. Simeti's first Milanese years led to a considerable number of experiences where the surface of his canvases became a space to be conquered with radical elements, drawn both from minimalism and the notion of the monochrome. Simeti creates in his works different types of tension on several formats, frequently relying on small-scale canvases to produce startling dimensions. Employing the motif of the oval, he has attempted to develop an irregular writing system that liberates the surface of the canvas from the principles of materiality, allowing nothing but silence.
Texts by Natacha Carron and Lea Vergine.
29.5 x 27 cm, 115.8 x 105.8 Inches
English / French
Edition of 1000
Almine Rech Gallery Editions
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.