
’LES AMAZONES’ – Jean-Baptiste Djéka’s complex paintings are a visual nexus of what drives him as an artist, as a West African man, and as a citizen of the world.
Djéka’s unapologetic references span the metaphysical, a fascination and respect for his matrilineal heritage and aspects of societal conditioning he chooses to challenge.
‘Côte d’Ivoire painter and sculptor Djéka work is immensely complex thanks to a combination of techniques and visual cues, from brushwork to scarification, bemasked figures, and a selection of materials including acrylic resin, oil, natural pigment, and collage. Deeply influenced by the Akan culture, he relies on the African esoteric inheritance, ancestors, symbols, and masks to express himself.’
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For dextrous Côte d’Ivoire painter and sculptor Jean-Baptiste Djéka Kouadio, the influence of West African Akan culture on his work is an intense and tangible expression of how the matrilineal tradition has shaped his life and indeed his view of the world. The Akan culture arose in the 13th century and has played an enormous role in craft and artistic development in West Africa and both its aesthetic and inherited belief system play a significant role in many West Africans’ and certainly in this artist’s life.
What started as an idea and a passion to assist and empower artists over the course of time evolved into the establishment now known as one of South Africa’s leading contemporary art galleries.

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