即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
'I am interested in transformation and artifice. My newest exhibition will engage with the history of France and its outward facing relationship to black and brown bodies, specifically relating to sexual proclivity. Gauguin features heavily in the imagination of France and her global interface–with that comes an entire history of complicated gazing. I interrogate, subsume, and participate in discourse about Māhū, about France, and about the invention of gender.'
– Kehinde Wiley (2019)
Kehinde Wiley, star of the American art scene and Barack Obama’s official portrait artist, is back in Paris. For his first Parisian exhibition since the 2016 show at Petit Palais, he will be unveiling a new series of paintings and a video-installation based on his time spent this past year in Tahiti.
Wiley’s new works are focused on Tahiti’s Māhū community, the traditional Polynesian classification of people of a third gender, between male and female. The Māhū were highly respected within their society until they were banned by Catholic and Protestant missionaries. Wiley's portraits of beautiful, transgender Tahitian women reference and confront Paul Gauguin's celebrated works, which also feature subjects from the transgender community, but are fraught with historical undertones of colonialism and sexual objectification. Building off of Wiley's earlier portraits that addressed issues of masculine identity and virility, these new portraits explore issues of identity through the lens of transformation, exploring both artifice and artificiality as a trans-cultural phenomenon.
Over the past fifteen years, Wiley has developed a remarkable body of work that at once questions and participates in the western art-historical canon of portraiture. Wiley’s encounter with Tahiti joins with the artist’s continued journey across the contemporary world, following his explorations of North America, South Asia, and West Africa. Wiley’s focus on Tahiti now offers the opportunity to re-examine France, its colonial history, and its image through the prism of Gauguin’s work. True to his oeuvre, this exhibition presents a uniquely political and aesthetic perspective on the power of art to shift perception and to make visible history’s forgotten figures.
Kehinde Wiley was born in Born in 1977 in Los Angeles. He currently lives and works between New York, Beijing, and Dakar.
Kehinde Wiley graduated from Yale University in 2001 and completed a residency at the Studio Museum in Harlem in 2002. In 2018 he became the first African-American artist to paint an official U.S. Presidential portrait for the Smithsonian National Portrait Gallery. Former U.S. President Barack Obama selected the artist for this honour.
Kehinde Wiley has held solo exhibitions at institutions across the United States and Europe including: Brooklyn Museum, New York; Bozar Centre for Fine Arts, Brussels; Modern Art Museum of Fort Worth, Texas; the Petit Palais, Paris; Saint Louis Museum of Art, Missouri; and Seattle Art Museum, Washington. His works are included in the collections of numerous public institutions.
In June 2019 in Dakar, Senegal, Kehinde Wiley will inaugurate a new multi-disciplinary artist-in-residency program, Black Rock Senegal.
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