Galeria Nara Roesler | São Paulo is pleased to present Chromophilia vs. Chromophobia: an exploration of color. The group exhibition features eighteen pieces by Abraham Palatnik, Antonio Dias, Bruno Dunley, Cao Guimarães, Carlito Carvalhosa, Daniel Buren, Daniel Senise, Haegue Yang, Hélio Oiticica, Julio Le Parc, Karin Lambrecht, Lucia Koch, Marco Maggi, Rodolpho Parigi, Sérgio Sister, Tomie Ohtake, Vik Muniz, and Xavier Veilhan. Organized by the gallery’s artistic director Alexandra Garcia Waldman, it centers on the battle between the color chart vs. the color circle.

Building on the theoretical base of the essay Chromophil ia from David Batchelor’s book Chromophobia , the exhibition experiments with how contemporary artists play, destroy, and reveal in the tension between post-1960’s use of industrial colors and the advent of the color chart. Batchelor describes the color chart as a disposable list of readymade color. “Each strip of paper is a perfect abstract painting in miniature, or a compact example of color serialism or one page of a vast catalogue raisonné of monochromes.” The chart gave artists freedom and autonomy in their use of color, previously unimaginable within the rigid structure established by the color circle. As he states: “the color circle establishes relationships between colors and implies an almost Feudal hierarchy among colors – primaries, secondaries and tertiaries, the pure and the less pure.”

The artists on view greet viewers with the full spectrum of drama with color. Daniel Buren rejected the idea that eliminating color would produce a purer form of art – quite the opposite: for him, color is essential and cannot be substituted by words or action. Shown alongside Colors, light, projection, shadows, transparency: works in situ 5, by Daniel Buren, is Rodolpho Parigi’s Santa Teresa Nerve ux , with explosive colors weaving flat geometric forms into compositions that evoke fragmented, semi-abstract urban landscapes. In the same space, Pictures of Pigment: Monochrome, pink - blue - gold, after Yves Klein, by Vik Muniz, communicates a sentiment of control through the vivid color of choice of the late Yves Klein. On the other side of the exhibition, Sérgio Sister recontextualizes classical ideas about the canvas as a window in his exploration of the intricate relationship between colors when they interact with space and air.

For Tomie Ohtake, color was a lifelong fascination, and she explored them continuously with juxtapositions of circles, ovals, arcs, and mounds to emphasize the experience of her works. The selected piece, one of her more recent paintings, invites contemplation and immersion into the logic of her art. Lucia Koch also utilizes color to preserve, alter, and continue an experience, showcase – gradient , from the gradient series, preserves the color of sunsets onto printed canvas. The work is then lit from the back and the experience is completely altered by an artificially preserved nature.

The artists on show challenge the viewers to experience color. They materialized colors to provoke freedom of experiment, leaving behind the rigidity of the color circle.

about the gallery
Galeria Nara Roesler is a leading Brazilian contemporary art gallery, representing seminal Brazilian and international artists who emerged in the 1950’s as well as preeminent mid-career and emerging artists who dialog with the currents put forth by these historical figures. Founded by Nara Roesler in 1989, the gallery has consistently fomented curatorial practice while preserving the utmost quality in art production. This has actively been put into practice through a select and rigorous exhibitions program created in close collaboration with its artists; the implementation and fostering of the Roesler Hotel program, a platform for curatorial projects; and continued support of artists beyond the gallery space, working with institutions and curators in offsite shows. In 2012 the gallery doubled its São Paulo exhibition space, in 2014 expanded to Rio, and in 2015 opened in New York City, continuing its mission to provide the best platform for its artists to show their work.