French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...
There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Galerie Gmurzynska is proud to present AMAZONKI, a selection of works by women artists of the Russian Avant-Garde. With this project, Galerie Gmurzynska consolidates one of its main programmatic lines, dedicated since its origins in 1965 to women artists-a pioneering approach for that time.
After putting together several solo shows on women artists, Krystyna Gmurzynska organised the acclaimed exhibition Women Artists of the Russian Avant-Garde in 1979, the first ever exhibition to concentrate on the women of the Russian Avant-Garde. More recently, the Malaga branch of the State Russian Museum hosted the well-received show Graphic works by Russian Women Artists from the collection of Krystyna Gmurzynska, still on view until September 2019.
The exhibition in Zurich features some of the most remarkable women artists of the Russian Avant-Garde such as Maria and Xenia Ender, Natalia Goncharova, Liubov Popova, Olga Rozanova, Nadezhda Udaltsova, and Varvara Stepanova. The selection of works includes both visual and applied forms of art, from graphic works and theatre designs to decorative projects.
AMAZONKI is the Russian word for the mythological 'Amazons,' and it was first applied to the female Russian Avant-Garde artists by the Cubo-futurist poet Benedikt Livshits, who described them as 'real Amazons, Scythian riders.' An iconic exhibition, entitled Amazons of the Russian Avant-Garde was held at the Solomon R. Guggenheim Museum in 1999—2001, to which Krystyna Gmurzynska was invited as the only non-institutional private lender in recognition of her famed 1979 exhibition Women Artists of the Russian Avant-Garde.
The work of these pioneering women artists was extremely influential in the world of the Avant-Garde and was highly significant in defining modernism as a whole. There was a remarkable boom in women's creativity in early-20th century Russia, where the rapid modernisation of society changed the status of the female artist and marked the beginning of women's integration into cultural areas that were formerly the preserve of men only. Never before in the history of Western art had women played such an important role in the formation of new art movements or the redefining and reconfiguration of cultural spaces.
Their influence can be clearly seen throughout the 20th Century. AMAZONKI thus continues with a separate exhibition of the preeminent female artist of Russian origin in the US: Louise Nevelson.
Though the 'Amazons' were distinguished by their tremendous energy and a great force of will, they at no time constituted a single, uniform group formed through a common support of 'feminist' ideas. Possessing a bright talent, each offered her own vision and direction to the development of Avant-Garde art, playing a vital role in larger artistic circles, where they were as individualistic, productive and exceptional as their male colleagues such as Kazimir Malevich, Mikhail Larionov and Alexander Rodchenko.
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