Leonardo Drew is known for creating contemplative abstract sculptural works that play upon a tension between order and chaos. At once monumental and intimate in scale, his work recalls post-Minimalist sculpture that alludes to America’s industrial past. Drew transforms accumulations of raw materials such as wood, scrap metal, and cotton to articulate various overlapping themes with emotional gravitas: from the cyclical nature of life and decay to the erosion of time. His surfaces often approach a language of their own, embodying the laboured process of writing oneself into history.Read More
Drew’s works have been shown internationally and are included in numerous public collections including the Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; The Museum of Contemporary Art, Los Angeles; The Hirshhorn Museum and Sculpture Garden, Washington DC; and Tate, London.
Drew was commissioned for a new outdoor project for Madison Square Park in summer 2019, marking the Madison Square Park Conservancy’s 38th public commission and the artist’s first major public art project. Recent solo museum exhibitions include shows at SCAD Museum of Art, Savannah (2013); Beeler Gallery at the Columbus College of Art & Design (2013); Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy (2006); and the Hirshhorn Museum and Sculpture Garden, Washington, DC (2000). Drew’s mid-career survey, Existed, premiered at the Blaffer Gallery at the University of Houston in 2009, and traveled to the Weatherspoon Art Museum in Greensboro, North Carolina, and the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts.
Drew was born in 1961 in Tallahassee, Florida, and he grew up in Bridgeport, Connecticut. He currently lives and works in Brooklyn, New York.
Text courtesy Galerie Lelong & Co. Paris.
As the strength of global galleries attending has increased, the proportion of participating galleries with a base in Shanghai has decreased.
In 1988, Leonardo Drew arguably found his artistic voice with his seminal work Number 8. Using rope, animal hide, raccoon skull and a dead bird, Number 8 is a black mass of detrit
Leonardo Drew (b. 1961) considers himself an elder statesman of the art world. In his first exhibition, at age 13, he showed a larger than life painting of Captain America. His natural talent for draf
Leonardo Drew’s wooden assemblages inspire a distinctly energetic choreography. Employing the minute and the monumental as coconspirators in his visual schema, Drew facilitates an unanchored viewing e
'As you're going through, just stay loose, and digest,' Leonardo Drew tells visitors who approach him at Sikkema Jenkins & Co., where his work is currently on display. Last week during our conversation at the gallery, groups flocked to the artist, seeking elucidations. Drew was kind—always with a smile on his face, usually...
Exploring the idea of memory recollection, Paul Moorhouse, curator of 20th-century art at London’s National Portrait Gallery, drew together six international artists for Structures of Recollection: Contemporary Approaches to Materials and Memory, currently showing at Pearl Lam Galleries in Hong Kong. Moorhouse’s curatorial...
'In this episode of the Viewpoints podcast, we'll hear from artist [Leonardo Drew ]and curator Larry Ossei-Mensah, two link-minded voices in contemporary art,' says Mary Sabbatino, Vice President