SUZANNE SONG

In《Near Distance》, Suzanne transcends traditional notions of “painterly representation of experienced space,” weaving a subtle interplay between perspective (far and near) and the variations of familiarity and unfamiliarity within a space into vibrant and rigorous compositions. Inspired by the revelation and compartmentalization of space within physical structures, she experiments with different mediums to accentuate differences or highlight the physical properties of materials, such as employing a coarse pumice medium to build up surfaces and emphasize tangible elements againsttrompe l’oeil effects.

Interplay and Intervals series unveiled since the early 2000’s are good examples of the approach. They convey Song’s deliberation and research on how a target of depiction flexibly responds to diverse perspectives or compositions and whether a painting genre is convincing enough for that multidimensional expression. Accordingly, it is not difficult to discover some definite proofs of attempts to expand medium experiments in her works of this period, such as emphasizing the physical properties of materials or the contrast of shades by applying Pumice with paint inspired byhow structures of buildings or walls create and divide spaces. While her earlier works explored the “illusion of space” through monochromatic layers, Suzanne’s recent pieces delve into space from a microscopic perspective. Her meticulous compositions, such as Purple Hearts (2024) and Centerfold (Green/Pink) (2024), evoke infinite repetition within a system reminiscent of natural phenomena exhibiting repeating patterns within critical zones.

At first glance, Song’s work may draw parallels with Minimal Art, characterized by repetition of basic units and modules, monochromatic tones, and an emphasis on planes and lines. However, she selectively borrows these formal aspects to depict societal structures’ abstract and improvisational nature, leading toward a hyperconnected society. In an era of hyperconnectivity, where the boundaries between reality and the virtual blur, Suzanne reflects on the fluid relationship between near and far and the Mobius-like cycles that characterize modern life. Through her art, she encourages us to embrace the ambiguity and constant change inherent in our contemporary existence.

About Artist

Suzanne Song (b.1974) holds a Bachelor of Fine Arts from Clemson University and a Master of Fine Arts from Yale School of Art. Her work has graced prestigious venues such as The Drawing Center and Doosan Gallery in New York. A recipient of the Smack Mellon Artist Studio Program and NYFA Fellowship, Suzanne continues her vibrant artistic practice as a member of The Elizabeth Foundation of the Arts in New York City.

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