
Lubaina Himid (b. Zanzibar, 1954) is one of the most celebrated British artists working today. A pioneer of the Black ArtsMovement of the 1980s, Himid has since risen to international acclaim, becoming the first Black woman to win the TurnerPrize in 2017. Himid’s vibrant, incisive paintings operate in the gaps of the historical record, lending lush visibility to issuesof labor, migration, and the human toll of empire. Bold in line and vibrant in hue, her recent portraits combine styliseddepiction and psychological depth, giving credence to the inner lives of figures whose stories were left untold.
Street Sellers is Himid’s frst gallery exhibition in the United States in over 15 years, and will debut a new cycle of paintingsalongside works on paper and domestic objects. The ten figurative paintings affirm the dignity of work through depictionsof street vendors who ply their wares, outfitted with the tools of their particular trade and seen on a grand scale. Here thegenre of the full-length portrait—the domain of aristocrats and monarchs—is recast with new protagonists, shown lost inthought yet fully at one with their respective métiers. Asserting the centrality of Black subjects to art historical arenas longdenied them, Himid contends that she is ‘not a painter in the strictest sense,’ but rather ‘a political strategist who uses avisual language to encourage conversation, argument, change.’
Following on the critical acclaim of her major survey at Tate Modern in 2021–22, the salience of Himid’s work continues tobe recognised in institutional exhibitions in the UK and beyond. Just this spring, three London museums featured her workin concurrent historical presentations: Entangled Pasts at the Royal Academy, Women in Revolt! Art and Activism in theUK 1970–90 at Tate Britain, and The Time is Always Now: Artists Reframe the Black Figure at The National Portrait Gallery.Himid is also the recipient of this year’s FLAG Art Foundation and Maria Lassnig Prizes, which are accompanied by soloexhibitions in Austin (on view through July 21), New York (opening September 2024), and Beijing (forthcoming in 2025).
Press release courtesy Greene Naftali
A self-described “painter and a cultural activist,” Lubaina Himid rose to prominence in the 1980s as a pioneer of the British Black Arts Movement and a staunch advocate for the contributions of women of color to the visual arts. Organizing groundbreaking shows in community-centered or disused spaces as well as preeminent London institutions, Himid created sites for Black artists and communities to exhibit and to congregate. Her 1985 ICA exhibition The Thin Black Line, for instance, manifested a more inclusive vision of contemporary art in the UK, showing her own work and that of her peers in institutional settings typically denied to them.


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