‘I wanted to refresh completely my attitude to sculpture.’ Phyllida Barlow discusses her exhibition tilt at Hauser & Wirth New York, 22 nd Street, and how it marks a new stage in her practice. For more than fifty years, the British artist has created sculptures and large-scale installations using a direct and intuitive process of making....

Inside her Ghent studio, Berlinde De Bruyckere discusses death, drapery and intimacy in her work ahead of her solo exhibition Stages & Tales at Hauser & Wirth Somerset. ‘In our society, we are always trying to escape from death. I try to give this possibility that my work can open some dialogue to talk about this: it’s all part of us,...

In his Paris studio, Japanese-born artist Takesada Matsutani talks about how he came to join the Gutai Art Association in 1963, moved to Paris in 1966, and how vinyl adhesive glue and graphite have sustained a practice 'streaming into infinity'. Coming of age in postwar Japan, artist Takesada Matsutani found himself longing 'to make something...

In his London studio, Mark Wallinger contemplates our desire for self-reflection and recognition, going public as an artist, and his new Mirror Painting series. Wallinger’s Mirror Paintings follow his earlier id Paintings (2015–2016) and Self-Portrait series (2007–2015). The dimensions of these tactile canvases are based on the artist’s...

Over the course of a career spanning six decades and tens of thousands of negatives, August Sander created a nuanced sociological portrait of Germany comprising images of its populace, as well as its urban settings and dramatic landscapes. To coincide with the exhibition August Sander. Men Without Masks, this panel discussion explores the work...

Takesada Matsutani talks about his life and work on the occasion of his first Los Angeles solo exhibition on view at Hauser & Wirth Los Angeles from 1 July through 3 September 201

No More Water at Lismore Castle Arts is the first major solo exhibition by Rashid Johnson in Ireland, encompassing large scale works on paper, two film works, and new sculptural works made for the historic gardens of Lismore Castle. Inspired by a childhood steeped in African American cultural influences, Rashid Johnson creates layered artworks...

The Stedelijk Museum Amsterdam presents a major survey of the work of German artist Günther Förg (1952–2013). 'A Fragile Beauty' explores the work of a rebellious artist whose oeuvre embodies a critical, witty, yet rigorous and penetrating critique of the canon of modern art.

Caroline Chiu is a Hong Kong based art critic and collector who has been presenting Caroline Chiu Studio Art Reviews with Hong Kong radio station RTHK4 since 2005. In this podcast episode, published in a collaboration between Chiu and Ocula, the Hong Kong based critic reviews the exhibition Philip Guston: A Painter's Forms, 1950–1979 at...

Inspired from a moment of spontaneity, Untitled is the extension of an experience of the artist in the studio. Expanding the pictorial plane, Guillermo Kuitca began to move beyond the ends of the canvas and painted directly onto his studio walls, omitting any distinction between the two surfaces. Constructed as a free-standing painted...

Rashid Johnson’s large grid installation Antoine’s Organ (2016) injects a sprawling, heterogeneous ecosystem into a rigid armature of black steel scaffolding. Visually evoking prison cells and Sol LeWitt’s open Minimalist cubes alike, Antoine’s Organ plays on the structure of the grid and the form’s associations with containment, rigor, and...

‘The kind of thinking that goes into figuring out how to do a dive–a jackknife, or a somersault–you conceptualise geometry in a physical way for your own body. And then thinking geometrically to make something hang on the wall and stick out from the wall is a kind of similar type of thinking. Actually physically doing geometry.’ Mary Heilmann...

Curator Dr Sophie Berrebi introduces Jean Dubuffet and the City at Hauser & Wirth Zürich, the first presentation that focuses on exploring the role of the city in Dubuffet's four decades of artistic accomplishments, highlighting the artist's shifting depiction of urban characters, and the visual and experiential dynamism of Paris that...

‘Art was for Louise a system of self-knowledge ... of discharging tensions and anxieties, of exorcising early traumas.’ Philip Larratt-Smith discusses Louise Bourgeois’s sculpture The Three Graces (1947), included in Hauser & Wirth’s presentation at Art Basel. A poignant example from the artist’s seminal series of iconic works entitled...

'Sunflowers are something I feel very intensely. They look so wonderful when they are young and they are so very moving when they are dying.’ – Joan Mitchell Florence Derieux, Director of Exhibitions, introduces this stunning example from Mitchell’s acclaimed Sunflower series included in Hauser & Wirth’s presentation at Art Basel. At once...

Unfolding across all five gallery spaces, this major solo exhibition Alexander Calder. From the Stony River to the Sky features almost 100 works including large-scale outdoor pieces which are set within the gardens of Durslade Farm. Five stabiles and a standing mobile bridge the link between the works on view in the galleries and the...

Referring to the address of Cabaret Voltaire–the birthplace of Dada in Zurich, Switzerland– Spiegelgasse (Mirror Alley) presents the works of Swiss artists from the 1930s to the present day and is curated by Gianni Jetzer. Taking historiographical cues from the literal translation of the street name, the exhibition tracks art history not as an...