Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.
For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.
For several years now, Marcus Harvey has in his work explored the notion of Britishness–from Thatcher to Tony Blair, as well as Nelson and Empire, but also lower-brow symbols, from tattoos, to junk-shop knick-knacks.Read More
Often, these ideas are amalgamated in his extraordinary bronze sculptures as if a magnetic centrifugal force has pulled together busts of Thatcher, policeman's helmets, Britannia, galleons and other maritime bric-a-brac. The result is a series of powerful, humorous three-dimensional state-of-the-nation collages.
Harvey is an observer, not a judge. 'I am ordering the imagery according to what is unfolding in terms of topical debate. People will read the extreme sentiment into it. It's a nagging theme to me that I mean to explore–artists don't conclude. Politicians and philosophers conclude.'
Harvey's work is held in collections around the world, including the Stedelijk Museum, Amsterdam; Museum of Modern Art, New York; Damien Hirst's Murder Me Collection, UK; Burger Collection, Hong Kong; the British Council, London; and the Saatchi Collections, London. In 2016 a mayor solo exhibition of Marcus Harvey's work was held at Jerwood Gallery, Hastings, UK.
Text courtesy Reflex Amsterdam.
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