即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Born in London in 1964, Miles Aldridge has published his photographs in such influential magazines as Vogue Italia, American Vogue, Numéro, The New York Times, The New Yorker, and Paradis. His work has been exhibited in numerous group shows, like at Miami Beach Art Photo Expo as a part of Art Basel Miami Beach in 2007. His solo shows The Cabinet, 2006, and Acid Candy, 2008, Kristen, 2010, with Chantal Joffe and Vanitas, One Black&White and Twenty Four Colour Pictures, 2014, have been presented by Galerie Alex Daniels – Reflex Amsterdam.
'If the world were pretty enough, I'd shoot on location all the time,' confides the photographer, who, until very recently, worked almost exclusively on elaborately constructed, meticulously lit studio sets in Europe, New York and L.A. 'But the world is just not being designed with aesthetics as a priority. So I prefer to rebuild the world instead of photographing the real one. What I'm trying to do is take something from real life and reconstruct it in a cinematic way.'
David Lynch: 'Miles sees a colour coordinated, graphically pure, hard-edged reality'.
Glenn O'Brien: 'Aldridge's feverish Madonna icon is both saint and sinner, her ecstasy is both religious and sexual, and how far is that from the source of myth itself, from the "reality" of St. Theresa?'
Marilyn Manson: 'There are only names like Man Ray or Breton that can serve as any measure for me to place Miles Aldridge on any artistic barometer.'
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