GROUP SHOW

This years Genius Loci XI presents a varied selection of artworks, including painting, sculpture, installation and photography. The exhibition combines positions which engage in both formal and contextual reflections on nature and technology and its significant impact on the future.

Friedrich von Ahn (b. 2002) explores the intersections between painting and photography as multi-layered medium. His works can be described as search for the punctum, a specific detail or moment in photography, able to evoke an emotional resonance that goes beyond rational understanding.

Magdalena Frauenberg (b. 1996) creates 3D printed sculptures with different textures which are developed in combination with photographic works and sculptural objects that reflect on femininity and its related stereotypes in a variety of materials. For the artist, the conscious (and unconscious) connotations linked to the materials are as relevant as the materiality itself.

Bethany Hadfield’s (b. 1994) paintings reflect on the patterns of natural repetitions that become exposed through close observation. Hadfield’s artworks co-exist between the fictional and non-fictional narratives when organic tissues, such as the leaves of plants, encounter digital software. The artist then procures compositions, via spray, acrylic and oil paint, on the canvas.

Assja Schäfer (b. 1992) works on multilayered surfaces with painted photo cardboard and coloured PVC foil to create translucent Sci-Fi compositions which stand on the verge between abstraction and figuration. Drawing links between technology and humanity, Schäfer reflects on their relationship within an ironic scenery.

Karoline Schultz (b. 1995) creates sculptural objects that transform the materiality of the medium. In her work, metallic components are given organic fluidity, some based on entomological images. These sculptural compositions and objects stimulate tendencies in the viewers perception, playing with meaning and interpretations.

Mona Schulzek (b. 1992) presents research-based artworks that intrinsically reflect on the connections between humankind, nature, science and the universe. Laser-textured stainless-steel plates are combined with volcanic rocks and meteorites that result in objects the artist refers to as dioramas. Industrial aesthetics collide with organic forms in Schulzek’s work, opening questions about longevity and decay.