Peata Larkin’s paintings explore the conjunctions between painting, weaving and digital technology. Larkin’s language is that of geometric abstraction and pattern deeply informed by Maori culture. She is equally aware of the consequent linkages between past and present, craft and art, two-dimension and three-dimension, the debates of sight and perception, of surface versus distance, of structure versus colour nuance. In this way she asserts the relevance of painting in the digital, homogenised world.
Read MoreThe conceptual foundations of Larkin’s works have grown out her process and from the duality of binary relationships, such as indigenous and European, science and art, tradition and technology, male and female. Peata Larkin has pioneered a way of making which is unique. Acrylic paint is pushed through a weave substrate and in doing so the works acquire sculptural characteristics. Individual dots or mounds of colour (shaped by volume) are presented in an abstract pattern (based on Maori weaving designs) and so the further the viewer gets away from the surface the more the pattern coalesces. While of course these works contain a cultural vernacular unique to NZ, the language of geometric abstraction is universal.
Designs which we recognise as being Maori and containing specific references and meanings transpose (through familiarity and recognition) into other cultures readily yet translate differently. In all Larkin’s paintings there is an undeniable presence of the digital world with visual allusion to pixilation, the DNA maps of science and medicine, and mimicry of computer screens. This ‘information’ sits behind, augmenting and contemporising traditional patterns which have been deliberately presented over-scale and with the visual ambiguity (structure, design, style and colour harmonics) of geometric abstraction.
Peata Larkin was born in Rotorua (1973) and is currently completing a Masters with RMIT University, Melbourne. Awarded Merit award Norsewear Art Award 2007. Graduate of Elam School of Fine Arts, Auckland University (2001-04). Recipient of Molly Morpeth Canaday Award 2006, RMIT University Scholarship for Excellence and Achievement 2006. Finalist Trust Waikato National Contemporary Art Award, Norsewear Art Award, Recipient of Mazda Emerging Artists Award 2006. Finalist Waiheke Art Award, Wallace Art Awards travelling exhibition, Trust Waikato National Contemporary Art Award 2005. Awarded special merit prize Norsewear Art Award 2004. Awarded merit prize Goldwater Art Award 2003. Lives in Auckland.
Text courtesy Two Rooms.
