Célia Picard and Hannes Schreckensberger are developing body of work that succeeds in articulating questions linked to the field of architecture with those of contemporary art. Nourished by a subtle association of references to the modernism movement and its utopias, as well as to the vernacular forms of craftsmanship, their works invite us to reflect on the uses and rituals induced by our living contexts and by the objects that surround us. From there, they open up a work of investigation into collective mythologies allowing experimentation and the production of new forms.
