Elisabeth Molin (*1985 in Copenhagen, Denmark) lives and works in Vienna.
Read More"I'm exploring the world through an associative, process driven approach to storytelling. Writing and stories – in one form or another – is always part of my process, which materializes itself as printed matter, installations, sculptures and video works. The stories often respond to an accelerated yet fragmented time feeling, and through my works I attempt to suggest new intersections, new materialities of time and modes of belonging."
Elisabeth Molin obtained a BA in Fine Arts at Chelsea College of Art and an MA in Fine Arts from Royal College of Art and has shown work, among other placed, at KW Institute, Berlin; Wiels, Brussels; Belmacz, London; No Show Space, London; PUBLICS, Finland; Sixty Eight Institute, Copenhagen; MAW, New York, ISCP, New York and ColumbiaTeacher College, NewYork. She has shown her videos as part of the 32nd Images Festival in Toronto, the 31 Stuttgarter Filmwinter in Stuttgart and the 7th Medrar Video Festival in Cairo. Since 2017 she has self-published and copublished 5 publications; Lies and Diet Coke, Black Rooms, (yet), COMFORT 7/32/00 and fanta for the ghosts. Her work has been supported by the Danish Art Council and Arts Council England. She has been awarded residencies at Camera Austria in Graz and ISCP in New York. Exhibitions: Scene 12 (SLOW PUNCTURE), No Show Space, London, UK (2023); Host, House, Hourglass, Kunsthal Galleri Image, Århus, DK (2023); COUPLING, PUBLICS, Helsinki, Finland (2022); - 165 meters, times zero and 18 suns in space, POGO BAR, KW, Berlin (2021).
