GREGORY BENNETT
New ZealandGregory Bennett’s digital prints and animations explore the ergonomics of the human body through the rhythms of movement and the idiosyncrasies of computer rendering. By keeping his work stripped back to the barest essentials, he not only presents a bustling study of bodily motion reminiscent of Eadweard Muybridge’s early photographic studies or Leonardo da Vinci’s Vitruvian Man, but also the quirky malfunctions that result from translating human ergonomics into computer programming.
Marching in tight formations only possible in the electronic realm, Bennett’s work resemble the kaleidoscopic-choreography of Busby Berkley’s Broadway spectacles. Slight shifts between each performer produces spiralling phasing patterns that visually mimic the way sound-waves also interact when slightly out of sync, a phenomenon often exploited by experimental composers. Gregory is an artist and academic with special interests in 3D animation, digital media and animation theory.
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