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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Sydney Lowdown: Exhibitions to See Ocula Report Sydney Lowdown: Exhibitions to See 6 Sep 2019 : Elyse Goldfinch for Ocula

The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Hans-Peter Feldmann

b. 1941, Germany

Hans-Peter Feldmann's conceptual practice explores various mediums from photography to painting, and can be characterised by a process of collecting, altering and re-interpreting. He often uses humour, subtle intervention and sometimes repetition to reinterpret found images and objects, thereby reflecting on representation and the construction of ideologies. In One Pound Strawberries (2005) Feldmann photographed the 34 strawberries that together make one pound revealing the individuals that make the collective. In 2008, he released a book called Album which serves as an archive of commercial imagery, with his own photographs occasionally added in. Pinup girls, fish, crime scenes, canned food, footballers and lynchings are all brought to live side by side in the same book. In this democratisation of imagery, Feldmann emphasises photography's power to record, manipulate and selectively curate history and vision.

Often referencing art history, Feldmann has created numerous works in which he appropriates or uses existing artworks and alters them. In his exhibition, Paintings, at Louisiana Museum of Modern Art (17 March–31 May 2015), the artist made minor changes to existing paintings that had been painted by other artists. In two portraits, clown noses were painted onto the austere faces of a man and a woman. In another painting, a black censorship bar covers the eyes of a nude woman as well as the eyes of her swan. These changes allow the viewer to come to a complete reinterpretation of the original painting. In doing so, the ideologies at play in traditional art are simultaneously emphasised and rewired.

In 1980, Feldmann destroyed all of his artworks still in his possession and went into early retirement. Ten years later he returned to his practice and in 2010 he won the prestigious Hugo Boss Prize. His work has been exhibited at institutions such as the Walker Art Center, Minneapolis; Palais de Tokyo, Paris; and the Solomon R Guggenheim Museum, New York. His work has also been acquired by many collections, including the Hirschhorn Museum, Washington, DC; The Museum of Modern Art, New York; and Tate, London.

Feldmann lives and works in Düsseldorf.

Casey Carsel | Ocula | 2018
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Featured Artworks

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Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled 15 parts, oil on canvas
Simon Lee Gallery
All the clothes of a woman by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannAll the clothes of a woman 70 black and white photographs
85.1 x 118.1 cm (incl frame)
303 Gallery
Time series - Car driving by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannTime series - Car driving, 1970 38 black and white photographs
Simon Lee Gallery
Time series - Rosanna by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannTime series - Rosanna 36 black and white photographs
13 x 9 cm
Simon Lee Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled 4 black and white, 1 colour photograph
Simon Lee Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled Oil on canvas
47 x 41 cm
Simon Lee Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled Oil on canvas
80 x 62 cm
Simon Lee Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled Oil on canvas
Simon Lee Gallery

Recent Exhibitions

View All (8)
Contemporary art exhibition, Group Exhibition, En Plein Air at Simon Lee Gallery, London
Closed
19 July–31 August 2019 Group Exhibition En Plein Air Simon Lee Gallery, London
Contemporary art exhibition, Group Exhibition, 303 Gallery: 35 Years at 303 Gallery, New York
Closed
18 July–16 August 2019 Group Exhibition 303 Gallery: 35 Years 303 Gallery, New York
Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, London
Closed
4 July–7 September 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee Gallery, London

Represented By

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Hans-Peter Feldmann on the link between contemporary photography and classicist painting Related Press Hans-Peter Feldmann on the link between contemporary photography and classicist painting British Journal of Photography : 7 November 2016

A new exhibition of work by German photographic artist Hans-Peter Feldmann is about to go on show at Simon Lee Gallery, Hong Kong.Characterised by its engagement with art history and vernacular imagery, Feldmann’s conceptual work derives from found images and everyday ephemera.Feldmann’s oeuvre mixes photography with sculpture, installation and...

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The art in this show followed me out of the museum, told me I was going to die Related Press The art in this show followed me out of the museum, told me I was going to die Observer : 16 September 2016

At the Jewish Museum, Halloween lovers can trick-or-treat a month early.In Take Me (I’m Yours), which opened today, all of the works by a roster of 42 international artists can be taken away. Visitors can leave with a T-shirt designed by Rirkrit Tiravanija, a blue and red pin conceived by Alex Israel, a tissue from Haim Steinbach’s...

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Prends-ça! A Paris exhibition invites visitors to take the artworks with them Related Press Prends-ça! A Paris exhibition invites visitors to take the artworks with them Hyperallergic : 20 October 2015

Take Me (I’m Yours) at the Monnaie de Paris revives and expands a 1995 exhibition curated by Christian Boltanski and Hans-Ulrich Obrist at London’s Serpentine Gallery, in which all the art is designed to be touched and taken away. Chiara Parisi, director of cultural programs at the French institution, joins the duo in curating the 2015...

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