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b. 1941, Germany

Hans-Peter Feldmann Biography

Hans-Peter Feldmann's conceptual practice explores various mediums from photography to painting, and can be characterised by a process of collecting, altering and re-interpreting. He often uses humour, subtle intervention and sometimes repetition to reinterpret found images and objects, thereby reflecting on representation and the construction of ideologies. In One Pound Strawberries (2005) Feldmann photographed the 34 strawberries that together make one pound revealing the individuals that make the collective. In 2008, he released a book called Album which serves as an archive of commercial imagery, with his own photographs occasionally added in. Pinup girls, fish, crime scenes, canned food, footballers and lynchings are all brought to live side by side in the same book. In this democratisation of imagery, Feldmann emphasises photography's power to record, manipulate and selectively curate history and vision.

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Often referencing art history, Feldmann has created numerous works in which he appropriates or uses existing artworks and alters them. In his exhibition, Paintings, at Louisiana Museum of Modern Art (17 March–31 May 2015), the artist made minor changes to existing paintings that had been painted by other artists. In two portraits, clown noses were painted onto the austere faces of a man and a woman. In another painting, a black censorship bar covers the eyes of a nude woman as well as the eyes of her swan. These changes allow the viewer to come to a complete reinterpretation of the original painting. In doing so, the ideologies at play in traditional art are simultaneously emphasised and rewired.

In 1980, Feldmann destroyed all of his artworks still in his possession and went into early retirement. Ten years later he returned to his practice and in 2010 he won the prestigious Hugo Boss Prize. His work has been exhibited at institutions such as the Walker Art Center, Minneapolis; Palais de Tokyo, Paris; and the Solomon R Guggenheim Museum, New York. His work has also been acquired by many collections, including the Hirschhorn Museum, Washington, DC; The Museum of Modern Art, New York; and Tate, London.

Feldmann lives and works in Düsseldorf.

Casey Carsel | Ocula | 2018

Hans-Peter Feldmann Featured Artworks

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Untitled by Hans-Peter Feldmann contemporary artwork photography, print
Hans-Peter FeldmannUntitledColour photograph
173 x 123 cm
Simon Lee Gallery Contact Gallery
Untitled by Hans-Peter Feldmann contemporary artwork works on paper, photography
Hans-Peter FeldmannUntitledCollage, newspaper
29.5 x 42 cm
Simon Lee Gallery Contact Gallery
Collages by Hans-Peter Feldmann contemporary artwork works on paper
Hans-Peter FeldmannCollagesCollages of magazine photographs
32 x 23 cm
Simon Lee Gallery Contact Gallery
Françoise Sagan “Bonjour Tristesse” by Hans-Peter Feldmann contemporary artwork sculpture, photography
Hans-Peter FeldmannFrançoise Sagan “Bonjour Tristesse”, 201383 colour photographs, originals, loose (each 12.5 x 19 cm), installation / overall dimensions variable
Barbara Wien Contact Gallery
Bücherregal by Hans-Peter Feldmann contemporary artwork photography
Hans-Peter FeldmannBücherregal, 2002Original b/w photograph, mountend on Dibond
200 x 120 cm
Barbara Wien Contact Gallery
Paris by Hans-Peter Feldmann contemporary artwork photography
Hans-Peter FeldmannParis, 1998One of 33 cardboards (each 20 x 20 cm) with 30 mounted original b/w photographs (each 10.5 x 15 cm), handwritten title pages and page numbering on the back, in grey portfolio (21 x 21 cm)
Barbara Wien Contact Gallery
Liebespaar ohne Köpfe in Holzkiste  by Hans-Peter Feldmann contemporary artwork photography
Hans-Peter FeldmannLiebespaar ohne Köpfe in Holzkiste cut-out B&W photo, MDF frame
Variable dimensions
Not for sale
Duddell's
Mann und Frau mit roter Nase by Hans-Peter Feldmann contemporary artwork painting
Hans-Peter FeldmannMann und Frau mit roter NaseOil on canvas, old frame
Variable dimensions
Not for sale
Duddell's

Hans-Peter Feldmann Recent Exhibitions

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Hans-Peter Feldmann Represented By

Simon Lee Gallery contemporary art gallery in Hong Kong Simon Lee Gallery Hong Kong, London, New York

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Hans-Peter Feldmann In Related Press

Questionnaire: Candida Höfer Related Press Questionnaire: Candida Höfer 17 January 2017, Frieze

What images keep you company in the space where you work? Susanne Bürner:  Tree Still (Sage), Tree Still (Coriander)  and  Tree Still (Chives) (all 2000).  **What was the first piece of art tha

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Hans-Peter Feldmann on the link between contemporary photography and classicist painting Related Press Hans-Peter Feldmann on the link between contemporary photography and classicist painting 7 November 2016, British Journal of Photography

A new exhibition of work by German photographic artist Hans-Peter Feldmann is about to go on show at Simon Lee Gallery, Hong Kong. Characterised by its engagement with art history and vernacular imag

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The art in this show followed me out of the museum, told me I was going to die Related Press The art in this show followed me out of the museum, told me I was going to die 16 September 2016, Observer

At the Jewish Museum, Halloween lovers can trick-or-treat a month early. In Take Me (I’m Yours), which opened today, all of the works by a roster of 42 international artists can be taken away. Visitors can leave with a T-shirt designed by Rirkrit Tiravanija, a blue and red pin conceived by Alex Israel, a tissue from Haim...

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Prends-ça! A Paris exhibition invites visitors to take the artworks with them Related Press Prends-ça! A Paris exhibition invites visitors to take the artworks with them 20 October 2015, Hyperallergic

Take Me (I’m Yours) at the Monnaie de Paris revives and expands a 1995 exhibition curated by Christian Boltanski and Hans-Ulrich Obrist at London’s Serpentine Gallery, in which all the art is designed to be touched and taken away. Chiara Parisi, director of cultural programs at the French institution, joins the duo in curating the...

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