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b. 1941, Germany

Hans-Peter Feldmann Biography

Hans-Peter Feldmann's conceptual practice explores various mediums from photography to painting, and can be characterised by a process of collecting, altering and re-interpreting. He often uses humour, subtle intervention and sometimes repetition to reinterpret found images and objects, thereby reflecting on representation and the construction of ideologies. In One Pound Strawberries (2005) Feldmann photographed the 34 strawberries that together make one pound revealing the individuals that make the collective. In 2008, he released a book called Album which serves as an archive of commercial imagery, with his own photographs occasionally added in. Pinup girls, fish, crime scenes, canned food, footballers and lynchings are all brought to live side by side in the same book. In this democratisation of imagery, Feldmann emphasises photography's power to record, manipulate and selectively curate history and vision.

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Often referencing art history, Feldmann has created numerous works in which he appropriates or uses existing artworks and alters them. In his exhibition, Paintings, at Louisiana Museum of Modern Art (17 March–31 May 2015), the artist made minor changes to existing paintings that had been painted by other artists. In two portraits, clown noses were painted onto the austere faces of a man and a woman. In another painting, a black censorship bar covers the eyes of a nude woman as well as the eyes of her swan. These changes allow the viewer to come to a complete reinterpretation of the original painting. In doing so, the ideologies at play in traditional art are simultaneously emphasised and rewired.

In 1980, Feldmann destroyed all of his artworks still in his possession and went into early retirement. Ten years later he returned to his practice and in 2010 he won the prestigious Hugo Boss Prize. His work has been exhibited at institutions such as the Walker Art Center, Minneapolis; Palais de Tokyo, Paris; and the Solomon R Guggenheim Museum, New York. His work has also been acquired by many collections, including the Hirschhorn Museum, Washington, DC; The Museum of Modern Art, New York; and Tate, London.

Feldmann lives and works in Düsseldorf.

Casey Carsel | Ocula | 2018

Hans-Peter Feldmann Featured Artworks

View All (12)
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitledColour photograph
173 x 123 cm
Simon Lee Gallery Contact Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitledOil on canvas
Simon Lee Gallery Contact Gallery
Car radios while good music is playing by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannCar radios while good music is playing4 black and white photographs and 1 colour photograph, pinned
Simon Lee Gallery Contact Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled11 black and white photographs (pinned)
Simon Lee Gallery Contact Gallery
One pound of strawberries by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannOne pound of strawberries34 colour photographs (pinned)
Simon Lee Gallery Contact Gallery
Untitled by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannUntitled15 parts, oil on canvas
Simon Lee Gallery Contact Gallery
Liebespaar ohne Köpfe in Holzkiste  by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannLiebespaar ohne Köpfe in Holzkiste cut-out B&W photo, MDF frame
Variable dimensions
Not for sale
Duddell's
Mann und Frau mit roter Nase by Hans-Peter Feldmann contemporary artwork
Hans-Peter FeldmannMann und Frau mit roter NaseOil on canvas, old frame
Variable dimensions
Not for sale
Duddell's

Hans-Peter Feldmann Recent Exhibitions

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Contemporary art exhibition, Hans-Peter Feldmann, Hans-Peter Feldmann at Simon Lee Gallery, Hong Kong
Closed
20 May–21 June 2020 Hans-Peter Feldmann Simon Lee GalleryOnline Only
Contemporary art exhibition, Group Exhibition, En Plein Air at Simon Lee Gallery, London
Closed
19 July–31 August 2019 Group Exhibition En Plein Air Simon Lee GalleryLondon
Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, London
Closed
4 July–7 September 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee GalleryLondon

Hans-Peter Feldmann Represented By

Simon Lee Gallery contemporary art gallery in Hong Kong Simon Lee Gallery Hong Kong, London, New York

Hans-Peter Feldmann In Related Press

Questionnaire: Candida Höfer Related Press Questionnaire: Candida Höfer 17 January 2017, Frieze

What images keep you company in the space where you work? Susanne Bürner:  Tree Still (Sage), Tree Still (Coriander)  and  Tree Still (Chives) (all 2000).  What was the first piece of art that really mattered to you? It was a work by Man Ray that I saw in an exhibition a very, very long time ago:  The Lovers  (1936). If you could...

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Hans-Peter Feldmann on the link between contemporary photography and classicist painting Related Press Hans-Peter Feldmann on the link between contemporary photography and classicist painting 7 November 2016, British Journal of Photography

A new exhibition of work by German photographic artist Hans-Peter Feldmann is about to go on show at Simon Lee Gallery, Hong Kong. Characterised by its engagement with art history and vernacular imagery, Feldmann’s conceptual work derives from found images and everyday ephemera. Feldmann’s oeuvre mixes photography with sculpture, installation...

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The art in this show followed me out of the museum, told me I was going to die Related Press The art in this show followed me out of the museum, told me I was going to die 16 September 2016, Observer

At the Jewish Museum, Halloween lovers can trick-or-treat a month early. In Take Me (I’m Yours), which opened today, all of the works by a roster of 42 international artists can be taken away. Visitors can leave with a T-shirt designed by Rirkrit Tiravanija, a blue and red pin conceived by Alex Israel, a tissue from Haim...

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Prends-ça! A Paris exhibition invites visitors to take the artworks with them Related Press Prends-ça! A Paris exhibition invites visitors to take the artworks with them 20 October 2015, Hyperallergic

Take Me (I’m Yours) at the Monnaie de Paris revives and expands a 1995 exhibition curated by Christian Boltanski and Hans-Ulrich Obrist at London’s Serpentine Gallery, in which all the art is designed to be touched and taken away. Chiara Parisi, director of cultural programs at the French institution, joins the duo in curating the...

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