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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Guo Hongwei on Seeing Patterns That Don’t Exist Ocula Insight Guo Hongwei on Seeing Patterns That Don’t Exist By Sherry Paik, New York

Guo Hongwei's recent watercolour paintings, showing at Chambers Fine Art in New York from 3 March, trigger pareidolia—the phenomenon of seeing random objects or patterns where they do not exist.

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HomePage Artists

(1947 - 2011), Australia

Ian Abdulla Biography

Ian Abdulla (1947–2011) was a Ngarrindjeri Australian Aboriginal contemporary artist. Abdulla was born at Swan Reach, on the Murray River, in the Riverland region of South Australia. His art depicts the landscape and activities of this area, with a strong storytelling element. They are distinct for their juxtaposition of text and image with Abdulla's handpainted annotations briefly describing the scene depicted.

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 His works have been exhibited around the world and form part of the permanent collection at the Art Gallery of South Australia and the Art Gallery of New South Wales. In 1991 Abdulla was named South Australian Aboriginal Artist of the Year, and was awarded an Australia Council Fellowship in 1992. His book, As I Grew Older was awarded the Australian Multicultural Children’s Literature Award in 1994.

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