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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

Computer Forbice by Luciano Fabro contemporary artwork Luciano FabroComputer Forbice, 1990 Steel and painted aluminium
150 x 247 x 8 cm
Simon Lee Gallery
Computer Forbice by Luciano Fabro contemporary artwork Luciano FabroComputer Forbice, 1990 Steel and painted plastic
150 x 247 x 8 cm
Simon Lee Gallery
Tondo e rettangolo (Circle and Rectangle) by Luciano Fabro contemporary artwork Luciano FabroTondo e rettangolo (Circle and Rectangle), 1964/2004 Glass, mirrored glass
110 x 150 cm
Marian Goodman Gallery
Italia ipocrita (Hypocritical Italy) by Luciano Fabro contemporary artwork Luciano FabroItalia ipocrita (Hypocritical Italy), 1996 Wood, paper
94 x 112 cm
Simon Lee Gallery
Tautologie (Foro) by Luciano Fabro contemporary artwork Luciano FabroTautologie (Foro), 1967 Stainless steel
198 x 99.7 cm
Simon Lee Gallery
Tutto trasparente (All Transparent) by Luciano Fabro contemporary artwork Luciano FabroTutto trasparente (All Transparent), 1965–2007 Glass, stainless steel
100 x 205 x 170 cm
Simon Lee Gallery
Mezzo specchiato mezzo transparente (Half Mirrored Half Transparent) by Luciano Fabro contemporary artwork Luciano FabroMezzo specchiato mezzo transparente (Half Mirrored Half Transparent), 1965–2007 Glass, silver, stainless steel
100 x 205 x 170 cm
Simon Lee Gallery
Tondo e rettangolo (Circle and Rectangle) by Luciano Fabro contemporary artwork Luciano FabroTondo e rettangolo (Circle and Rectangle), 1964–2004 Glass, silver, stainless steel
200 x 60 x 130 cm
Simon Lee Gallery
Buco (Hole) by Luciano Fabro contemporary artwork Luciano FabroBuco (Hole), 1963–2005 Glass, silver, stainless steel
100 x 100 x 230 cm
Simon Lee Gallery
Contatto. Tautologia by Luciano Fabro contemporary artwork Luciano FabroContatto. Tautologia, 1967–2001 Stainless steel
Simon Lee Gallery
Asta (Pole) by Luciano Fabro contemporary artwork Luciano FabroAsta (Pole), 1965–2001 Stainless steel
Simon Lee Gallery
Croce (Cross) by Luciano Fabro contemporary artwork Luciano FabroCroce (Cross), 1965–2001 Stainless steel
Simon Lee Gallery
Squandra (Square) by Luciano Fabro contemporary artwork Luciano FabroSquandra (Square), 1965–2001 Stainless steel
140 x 140 cm
Simon Lee Gallery
Ruota (Wheel) by Luciano Fabro contemporary artwork Luciano FabroRuota (Wheel), 1964–2001 Stainless steel
50 x 157 x 1 cm
Simon Lee Gallery
Tubo da mettere tra i fiori (Tube to Place Among Flowers) by Luciano Fabro contemporary artwork Luciano FabroTubo da mettere tra i fiori (Tube to Place Among Flowers), 1963–2001 Steel tube, soil, flowers, plants
Simon Lee Gallery
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