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Beatriz González at KW Institute for Contemporary Art: In Focus Ocula Report Beatriz González at KW Institute for Contemporary Art: In Focus 14 Dec 2018 : Pia Chakraverti-Wuerthwein for Ocula

Retrospective 1965–2017, Beatriz González's exhibition at KW Institute for Contemporary Art in Berlin (13 October 2018–6 January 2019), presents a selection of 120 works that bear witness to Colombia's political and social upheavals of the last 50 years. Throughout, the link between González's practice and the sociopolitical context it references...

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Ingrid Schaffner Ocula Conversation Ingrid Schaffner Curator, 57th Carnegie International

Founded by industrialist Andrew Carnegie as part of the Carnegie Institute in 1895, Carnegie Museum sought to 'bring the world' to the city with a grand building housing a natural history museum, a library, and an art museum operating as a fluid space for knowledge exchange. In its 123-year history, the institution has built up a world-class...

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Extra States: Nations in Liquidation at Kunsthal Extra City Ocula Report Extra States: Nations in Liquidation at Kunsthal Extra City 8 Dec 2018 : Stephanie Bailey for Ocula

The nation-state—a nation (a people) presided over by a governing body with jurisdiction over a defined territory (the state)—is either going through a renaissance or demise, depending on one's perspective. There has been talk about the nation-state's end for years—from a 2013 United States National Intelligence Council report...

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Marilynn Webb

b. 1937, New Zealand

Marilynn Webb (ONZM) has an international stature as a printmaker, an extensive teaching career and has been involved in over 180 exhibitions and over 35 curated exhibitions/symposiums.

Marilynn has maintained an art career in tandem with mostly full-time teaching and has taught nearly all the emerging print artists in Otago. She currently holds the position of Emeritus Principal Lecturerer, Otago Polytechnic School of Art, Dunedin, New Zealand. 

Her pastels and prints have focused on New Zealand’s most remote and fragile environments, including Fiordland, the Maniototo hinterland, Stewart Island and the Antarctic Islands. She has received Department of Conservation commissions which take fine artists to wild and seldom accessible places to communicate a view of fragile environments.

Her printmaking explores not only sense of place but also human connections – bloodlines and family, her own ancestry both Maori and of European, and the way we are linked to special places.

Be the first to know when new artworks and exhibitions by Marilynn Webb are added to Ocula.




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