Masaomi Yasunaga is a contemporary Japanese ceramic artist known for his innovative approach to ceramics that challenges traditional notions of functionality. In 2025, the Institute of Contemporary Art, Miami will present ‘Traces of Memory’, the first major US museum exhibition dedicated to Yasunaga’s work.
Opening during Art Basel Miami, this landmark exhibition foregrounds the artist’s emotive, highly textured, and distinctly recognisable ceramics, which expand the medium in radically new directions. Featuring recent sculptures and a site-specific installation, the ICA’s exhibition highlights Yasunaga’s dynamic interdisciplinarity and visionary material experimentation, including his signature use of glazes, minerals, and glass powders in place of traditional clay. Through his reimagining of ceramic processes and forms, Yasunaga is positioned at the vanguard of contemporary ceramics, as evidenced by his prominent solo showings in the US and internationally.
Masaomi Yasunaga was born in Osaka Prefecture in 1982 and moved to Nabari, Mie Prefecture, at the age of six. He pursued Environmental Design at Osaka Sangyo University, earning a Master’s degree in 2006. During his university years, he trained under Satoru Hoshino, inheriting the experimental and sculptural ethos of the Sodeisha ceramic group. In 2007, Yasunaga established his own pottery studio in Iga, continuing the avant-garde tradition in his work. His background within Japan’s Catholic minority informs a unique synthesis of Western aesthetics and Japanese ceramic heritage in his art.
Yasunaga’s practice focuses primarily on ceramic vessels that are stripped of functional intent and reimagined as sculptural forms. He studied under Satoru Hoshino, a second-generation proponent of the avant-garde ceramic group Sodeisha, a postwar movement that pioneered ceramic sculptural art by rejecting functional forms in favor of existential and sculptural expression.
Yasunaga’s work extends the lineage of Japanese ceramics by focusing on sculptural, non-functional vessels and objects made with innovative materials and techniques. He eschews the core ceramic material, clay, using feldspars, glass, metal powders, and viscous glazes to create works that resemble archaeological relics or earth-formed artifacts. His pieces often evoke themes of emptiness, loss, and transformation, inspired by personal experiences like the death of his grandmother and the birth of his son. In later years, he hybridised his vessel forms with animal motifs, creating what he calls ‘Empty creatures’, which evoke imaginary geologic menageries. His method involves firing ceramics in a kiln and then unearthing them from sand beds, mimicking archaeological excavation.
Yasunaga’s style is notable for blending aesthetics, presenting objects that appear both fragile and timeless, evoking human culture’s intersection with nature’s forces. His work has gained growing international recognition, exhibited widely including major solo and group shows in Japan, the US, and beyond.
Masaomi Yasunaga has been the subject of important solo and group exhibitions, including the following:
In 2025, Masaomi Yasunaga was awarded GQ Japan Award for growing international recognition and contribution to contemporary ceramics.
Masaomi Yasunaga is a Japanese contemporary ceramic artist known for his innovative sculptural vessels and experimental glazes. You can follow Masaomi Yasunaga on Ocula to learn more about his work, find out about art for sale, contact his galleries, and keep up to date with upcoming exhibitions.
Masaomi Yasunaga is renowned for employing glaze as his primary sculptural material, supplemented by raw elements such as feldspars, rocks, metal, and glass powders. His process often involves burying works in sand or kaolin during firing and excavating them afterwards, producing artifacts reminiscent of archaeological finds and highlighting a unique fusion of tradition and experimentation.
A direct disciple of Satoru Hoshino and the avant-garde Sodeisha movement, Yasunaga employs a hand-built Tebineri technique, assembling forms by coil rather than wheel. Uniquely, he replaces clay with glaze and an alchemy of minerals, metals, rocks, and glass powders—materials that expand the expressive and tactile range of ceramic art. To ensure each fragile structure survives firing, Yasunaga carefully buries his works in sand or raw porcelain inside large kilns; the finished objects are subsequently unearthed through a process akin to archaeological excavation, metaphorically linking the acts of making and discovery.
Masaomi Yasunaga’s practice investigates themes like emptiness, existential beauty, transformation, the boundaries between function and sculpture, and the persistent influence of nature and time. The works frequently reference bodily forms, group dynamics, and personal experiences, filtered through an embrace of unpredictability and fundamental beauty.
Masaomi Yasunaga describes fire as a filter that strips away ego and intention while the kiln acts as a kind of time machine. The act of excavating pieces after firing echoes archaeological discovery and aligns with his philosophy of relinquishing control to elemental forces.
Formally trained under Satoru Hoshino of Sodeisha, Masaomi Yasunaga’s philosophy and techniques are deeply rooted in avant-garde, postwar Japanese ceramic traditions that challenge function and pursue expressive sculptural forms.
Significant events such as the passing of his grandmother and the birth of his sons have inspired pivotal bodies of Masaomi Yasunaga’s work, including series made from his grandmother’s ashes and hybrid ‘empty creature’ vessels symbolizing new life.
Rejecting clay as the principal material, Masaomi Yasunaga’s seeks to expand the definition of ceramics and foregrounds the chemistry and metaphysics of glaze, exploring new territories beyond established boundaries in ceramic art.
Audiences are often curious about signature series such as ‘Empty Vessel’, ‘Empty Creatures’, ‘Fused Pots’, and ‘Accumulation’—works that embody his experimental ethos and have garnered international attention.
Yasunaga’s work is exhibited internationally, including galleries in Tokyo, Kyoto, Los Angeles, and London. You can follow Masaomi Yasunaga on Ocula to receive alerts on upcoming exhibitions by the artist.
Yasunaga’s practice is deeply influenced by his upbringing in Japan’s Catholic minority and personal life events such as the loss of his grandmother and the birth of his son, which inform his thematic focus on emptiness and transformation. You can follow Masaomi Yasunaga on Ocula to receive alerts on news about the artist.
Masaomi Yasunaga lives and works in Iga-shi, Mie Prefecture, Japan.
Pronounced as Ma-sa-o-mi Ya-su-na-ga.
Masaomi Yasunaga is represented by leading contemporary art galleries. You can explore Ocula to find out which galleries represent him and enquire directly about purchasing his work. You can also contact Ocula’s art advisory team for assistance.
Ocula | 2025

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