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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Armory Week Lowdown: Art Shows to See Latest Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Ella Kruglyanskaya Steals from Art History, Takes Back Gaze Ocula Insight Ella Kruglyanskaya Steals from Art History, Takes Back Gaze By Tessa Moldan, London

For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.

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HomePage Artists

b. 1978, USA

Miya Ando Biography

Born in Los Angeles, half Japanese, half Russian-American artist Miya Ando is known for her meditative paintings and sculptures that observe the passage of time and transitory nature of life.

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Ando's early years—spent between a Buddhist temple in Okayama, and in a redwood forest in Northern California—have deeply influenced her artmaking, along with her ancestry of Samurai-era Bizen sword-makers, reflected in the deft manipulation of metals in her sculptures. In 1996, she completed a Bachelor of Arts in East Asian Studies at the University of California, Berkley; followed by studies in Buddhist iconography and imagery at Yale University. A practicing Buddhist, Ando enters a non-attached, 'state of no-mindedness' known as mushin when creating her work. This sense of interconnectedness translates to her works' interactions with space and their viewers' vantage points, determining experiences of light and reflectivity.

Ando's work has been described as Post Minimalist, however her constant pushing of material boundaries has allowed her to establish her own unique style. Her experiments with aluminium are prime examples of this. Submerging the aluminium plates into an electrochemical bath, Ando then layers them with sapphire crystals so that the dyes are easily absorbed. The smooth, ethereal works embody her meditative approach, while gesturing to the car culture of her birthplace, Los Angeles. Ando cites her father's rebuilding cars and introducing her to metal smithing, as further influences, along with the work of light and space artists such as Robert Irwin and Larry Bell.

Further to her gently gradating aluminium paintings, along with sculptures that have been subtly manipulated through natural processes such as charring and melding, the artist also creates large-scale public installations. In these larger installations, Ando amplifies the sense of vastness explored throughout her work. Speaking with Brienne Walsh in an Ocula Conversation from 2017, the artist explained that, 'nature is the great equaliser. We all know what rain is. We all know the feeling of experiencing vastness. I like the idea of making something that is a barometer of our physical environment.' In one such work, mounted during Miami Art Week in 2018, Ando enveloped the historic Versailles hotel building with panels covered in pink and yellow-tinged clouds. Evoking a sunset or sunrise, Sora Versailles explored the passing of time, becoming the backdrop to surrounding city life; while embodying the building's architect, Roy France's philosophy of 'let in the air and sun'.

In another installation, titled Since 9/11 (2011), Ando utilised salvaged beams of steel from the World Trade Center in New York to create a 30-foot-tall sculpture mounted in the Queen Elizabeth Olympic Park in London for the ten-year anniversary of 9/11—commissioned for the city of London and collaborating with the Port Authority of New York and New Jersey. The sculpture led to her nomination for a DARC Award in Best Light Art Installation.

Other materials used by Ando include glass, which she used to create the suspended panels, Haku-Un (White Cloud) 4.8.1 and Haku-Un (White Cloud) 3.3.1 (both 2017), which featured clouds created from a microscopic fracture of the glass itself, shown in the indoor-outdoor gallery of Noguchi Museum in New York in 2018. These sculptures draw from her work in glass from 2011, involving images of clouds inserted in small glass cubes using laser etching technology. Natural forms such as leaves have found their way into her work, including an installation titled Obon (2012), which involved 1,000 non-toxic resin and phosphorescence-coated Bodhi leaves released into a pond in Puerto Rico. Recharging during the day, the leaves glowed ethereally at night.

Ando's work has been exhibited around the world, including Form is Emptiness, Emptiness is Form at Asia Society, Houston (2019); Waves Becoming Light at Cornell Art Museum, Florida; Cloud Field at The Katzen Arts Center at the American University Museum, Washington DC (2018) and Temporal at Savannah College of Art and Design in Savannah (2017). Her work is held in public collections, including LACMA, Nassau County Museum, Corning Museum of Glass, Detroit Institute of Art Museum, The Luft Museum, along with numerous private collections.

Biography by Tessa Moldan | Ocula | 2020

Miya Ando Featured Artworks

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Light Indigo Fire 12.19.48.42.1 by Miya Ando contemporary artwork
Miya AndoLight Indigo Fire 12.19.48.42.1, 2019Pigment, resin and urethane on aluminium
121.9 x 106.7 cm
Sundaram Tagore Gallery Enquire about this work
Bizen Murasaki 12.19.42.48.1 by Miya Ando contemporary artwork
Miya AndoBizen Murasaki 12.19.42.48.1, 2019Pigment and urethane on aluminium
106.7 x 121.9 cm
Sundaram Tagore Gallery Enquire about this work
Red Purple Gold 12.19.4.4.1 by Miya Ando contemporary artwork
Miya AndoRed Purple Gold 12.19.4.4.1, 201924k gold, pigment, resin and urethane on aluminium
121.9 x 121.9 cm
Sundaram Tagore Gallery Enquire about this work
Black Grey 12.19.4.4.1 by Miya Ando contemporary artwork
Miya AndoBlack Grey 12.19.4.4.1, 2019Pigment and urethane on aluminium
121.9 x 121.9 cm
Sundaram Tagore Gallery Enquire about this work
New Moon 4.19.2.1 by Miya Ando contemporary artwork
Miya AndoNew Moon 4.19.2.1, 201924k gold, pigment, resin, urethane, stainless steel
61 x 61 cm
Ben Brown Fine Arts Enquire about this work
Phenomena 40.40.3 by Miya Ando contemporary artwork
Miya AndoPhenomena 40.40.3, 2017Pigment, urethane, aluminium
101.6 x 101.6 cm
Ben Brown Fine Arts Enquire about this work
Night Tondo Shift 4.19.4.1 by Miya Ando contemporary artwork
Miya AndoNight Tondo Shift 4.19.4.1, 2019Pigment, urethane, resin, aluminium composite
121.9 x 121.9 cm
Ben Brown Fine Arts Enquire about this work
Vermillion Moon 5.19.3.1 by Miya Ando contemporary artwork
Miya AndoVermillion Moon 5.19.3.1, 201924k gold, pigment, mica, urethane, resin
91.4 x 91.4 cm
Ben Brown Fine Arts Enquire about this work

Miya Ando Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Winter Group Show at Sundaram Tagore Gallery, New York
Closed
9 January–8 February 2020 Group Exhibition Winter Group Show Sundaram Tagore Gallery, Chelsea, New York
Contemporary art exhibition, Group Exhibition, Summer Group Show at Sundaram Tagore Gallery, New York
Closed
25 July–30 August 2019 Group Exhibition Summer Group Show Sundaram Tagore Gallery, Madison Avenue, New York
Contemporary art exhibition, Group Exhibition, Between Earth and Sky at Sundaram Tagore Gallery, New York
Closed
23 July–24 August 2019 Group Exhibition Between Earth and Sky Sundaram Tagore Gallery, Chelsea, New York

Miya Ando Represented By

Miya Ando In Ocula Magazine

Miya Ando: Traversing the Edge of a Forest Ocula Insight
IN PARTNERSHIP WITH GILLMAN BARRACKS
Miya Ando: Traversing the Edge of a Forest By Brienne Walsh, Singapore

Born to a Japanese mother and an American father, Miya Ando is very much a creature of both the East and West. Known for creating large-scale installations, paintings and sculptures redolent of natural phenomena, as a child she split her time between the redwood forests of Santa Cruz, California, and a Buddhist temple in Okayama, Japan, where...

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Miya Ando at Sundaram Tagore Gallery, New York Ocula Insight Miya Ando at Sundaram Tagore Gallery, New York By Katie Fallen, New York

There is something quite surprising about Miya Ando , the latest artist to have a solo show with Sundaram Tagore Gallery in New York. Half Japanese and half Russian, Ando is a descendant of Bizen sword makers and spent her childhood among Buddhist priests in a temple in Okayama, Japan. Yet today, she lives and works in New York, with her studio...

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Miya Ando In Related Press

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Miya Ando at Sundaram Tagore, Hong Kong Related Press Miya Ando at Sundaram Tagore, Hong Kong 26 October 2015, Artforum

Ando is a descendant of Bizen swordsmiths and spent part of her childhood among Buddhist priests at a temple in Okayama in southern Japan. She apprenticed at Hattori Studio, with a Japanese master metalsmith, and has founded her practice on the transformation of metal surfaces using heat, sandpaper, grinders, pigments, dyes, and other chemical...

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In Conversation: Sundaram Tagore Related Press In Conversation: Sundaram Tagore 8 May 2015, Laura Thomson

Established in 2000, Sundaram Tagore Gallery is devoted to examining the exchange of ideas between Western and non-Western cultures. Gallery Founder, Sundaram Tagore, is an art historian, gallerist and award-winning documentary filmmaker. He was born in Calcutta in 1961 and manages four galleries between New York City, Hong Kong and...

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Art World Abstracts: Ferguson'S Street Art In The Spotlight Related Press Art World Abstracts: Ferguson'S Street Art In The Spotlight 26 November 2014, Alanna Martinez for the New York Observer / 25 November 2014

The decision not to indict Darren Wilson the white police officer who shot a black unarmed teen named Michael Brown three months ago in Ferguson, Missouri has rocked the country in the few hours since its announcement, with demonstrations erupting from Ferguson to Union Square in Manhattan. This is much more than an art news story, but the public...

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Interview: Miya Ando In Hong Kong Related Press Interview: Miya Ando In Hong Kong 10 March 2014, Art Radar Asia / 07 March 2014

Descended from Bizen sword makers, half Japanese and half American artist Miya Ando grew up bilingual with two distinct cultures influencing her unusual art practice. As a child, Ando lived in a Buddhist temple in Okayama, Japan, and was raised among swordsmiths-turned-Buddhist priests. This upbringing led her to undertake a Bachelor’s degree...

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