Nuria Maria’s work captures the essence of moments in time, via the use of colour and natural shapes and forms. Drawing inspiration from nature and weather, she initially created figurative paintings but has moved towards more abstract compositions, aiming to convey sentiments and feelings rather than merely objects.
Nuria Maria was born into an artistic family in Limburg, the Netherlands, in 1990. She attempted a couple of university courses that weren’t art-related but neither lasted more than a few weeks. In 2012 she enrolled at the Academy of Fine Arts in Maastricht, initially focusing on painting but becoming more interested in video art and her own music, often inspired by the weather, which remains a key subject for her paintings.
Nuria Maria’s work connects abstraction, colour and natural shapes. After graduation, she experienced a shift from figurative work to the abstract, which came about because she altered her focus, concentrating on colour, forms and structures rather than thinking about the size of the objects she was painting. However, she has re-embraced impressionist/figurative elements, notably in 2025 solo show, Zilver.
Her works are characterised by their intense colours. In a 2025 interview, Nuria Maria explained that she was “completely obsessed” with colour, and as well as being inspired by nature, she arranged objects in her home according to colour: “I can spend hours putting books in the right order so the colours are co-ordinated as I like them. I collect things purely for their colour; I even do my groceries based on the colour packaging.”
Nuria Maria also tries to capture the atmosphere of the moment via the interaction between the subjects of her paintings. She explained in 2025: “I can work with colours as a starting point, or a certain rhythm with forms, but it is the feeling that I have about exactly that moment and sentiment that I want to reflect and that is always more important than the purely visible state of the painting.”
In a 2020 interview with François Bonnel, Nuria Maria said that she was “mesmerised” by Boticelli’s Primavera (Spring) (1470s or 1480s) when she first saw the painting as a child. She also references Picasso’s forms, colours and playfulness—mentioning L’Aubade (The Serenade) (1942) in particular—and Francis Bacon, Joan Miró, Mark Rothko, Johannes Vermeer, Frida Kahlo and Italian Frescoes. However, in the same interview she said that these were not so much direct influences, but instead seeing something that “makes you want to paint”.
Maria’s mother is painter Siiri Spronken and her father is artist and sculptor Thomas Junghans. Her maternal grandparents were Finnish landscape painter Varpu Tikanoja and sculptor Arthur Spronken.
Nuria Maria’s work captures moments including weather, landscapes, memories and the atmosphere of a certain moment, whether that comes across via light, time, love, sadness or even the smell of a season. She has said that she knows a painting is finished when it gives her the right feeling.
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