Secundino Hernández blends colour and shape, abstraction and representation, taking inspiration from art history to create his own visual language. His energetic artworks explore the creative process itself and ideas of reconstruction.
Secundino Hernández was born in Madrid 1975 and loved art from an early age. “While other children played football, I spent my afternoons drawing,” he said in 2024. He studied at the faculty of fine arts at the Complutense University of Madrid, as well as completing residencies in Rome, Berlin and Vienna.
Hernández has said: “For me, painting is a tool for understanding the world, explaining my inner life, and forging connections with fellow human beings. It’s a map and means of structuring my thoughts through colours, shapes, planes, and lines, both within empty and painted spaces.” He combines styles and references: abstraction and representation, gesturalism and minimalism. He references his home country of Spain via creating dialogue with the work of Spanish artists, but his practice has also been compared with Action Painting.
Hernández uses many tools and techniques. For example, his “palette” paintings are created by combining large areas of colour with calligraphic strokes, whereas his “wash” canvases remove layers of paint with a pressure-washer, exploring the dialogue between the acts of painting and erasing. He has also made his own tools.
Rather than referring to specific artists, Hernández is more interested in the procedures of making art, such as finding materials, creating and refining processes, and working in a studio space. However, in his exploration of the historical dimensions of art, he researches art history and the Old Masters.
The artist told Ocula in 2024 that he is developing a small vineyard and “a modest winery” in a village in central northern Spain and that he has found connection to the rituals of the land. “Making wine and painting were among the first human activities in the course of civilisation,” he said.
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