Tomma Abts makes complex paintings and works on paper whose subject is ultimately the process of their creation. She begins each work with no preconceived composition and idea, and without preliminary sketches. Guided largely by intuition, she nevertheless works within precise parameters. The paintings' evolution is evidenced by ridges and uneven texture—the result of methodical overpainting and reworking of the image. While abstract, the works are still illusionistic, rendered with sharp attention to shadows, three-dimensional effects, and highlights that defy any single, realistic light source. The resulting canvases convey balance and movement, while maintaining a sense of uncertainty, which seems akin to memory.
Read MoreBorn in 1967 in Kiel, Germany, Abts studied at Hochschule der Künste in Berlin from 1988 to 1995.
The thirty-two small, abstract paintings in Tomma Abts's show, which the Art Institute co-organized with the Serpentine Galleries in London, recall what Ezra Pound said he was trying to do with his sh
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The stark white walls of the Serpentine Sackler Gallery are dotted with colourful eruptions, each contained within a 48 x 38 cm canvas, the trademark format of the painter Tomma Abts. Their small size
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Duncan Campbell is the winner of this year’s Turner Prize with a 54-minute film that even the chairman of the jury described as “a bit baffling”. Campbell’s film, It for Others (2013), is a montage of Marxist economics, contemporary dance, comedy ketchup bottles, African tribal masks and images of the IRA member Joe McCann.
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What does the term 'abstraction' mean to non-figurative painters working today? I spoke to five artists - Tomma Abts, Tauba Auerbach, Matt Connors, Charline von Heyerl and Bernd Ribbeck - all of whom
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