Private curator to Donald B. Marron for over two decades, Matthew Armstrong discusses working with the collector, reminiscing on the boyish enthusiasm Marron exuded when it came to art.​

In Berlin, where the pandemic permits, digital viewing rooms are being remade offline. Elsewhere, galleries are mounting ever richer online presentations.

Closed since the middle of March, galleries in central London will finally reopen to visitors from next Monday.

Sarah Sze 's installations thrive at a tipping point. Frequently rendered to magnificent scale, they are made up of skeletal structures supporting a cosmos of matter: matches, buckets, dried paint, plants, and paper, to give but a sample of the elements frequently assembled in their orbit. From afar, these structures tremble with...

The cover photograph for the informative catalogue that accompanies this dazzling show was taken by Hans Namuth and catches Robert Motherwell and Helen Frankenthaler at their wedding lunch on April 6, 1958. Her look is all love; Motherwell, averting his gaze from Namuth, has a vacant, slightly ironic expression. Was it because he'd already been...

Benaam, 'without name,' was always for me a monument to the unnamed victims of ongoing conflict. The black covering is literally a plastic bag covering a body that has expired. The hands stretching out from under the plastic signal a last movement, as does the refuse or tail of rubble—a final expulsion. We Come in Peace, which is also the title...

There isn’t a traditional formula. A lot of times something good happens that makes me realise other things should have happened first. Almost like I built the top floor before the foundation. I have a few formulas that work consistently for me. For example, if I want to make flesh, I have a cold version and a warm version that I know how to make....

I was a little bit empty. When I kept finding myself lost, John would say, 'Let's go to the Strand bookstore together.' I remember focusing on the first image I saw in a rococo-period book, which was a Mars and Venus porcelain by Royal Derbyshire. After seeing that I made a small sculpture called Waterfall [2001]. I included it in a show and my...

In this video, step into the studio of artist Jonas Wood as he reflects on his move to Los Angeles, the importance of the Hammer Museum and his unique approach to creating art. Jonas Wood and his wife, artist and studio mate Shio Kusaka, have donated their works Shio Butterfly Still Life and (Line 65) to be offered as highlights of Artists for the...

Akiko Miki, International Artistic Director of the Benesse Art Site in Naoshima, Japan, presents one of the most unconventional collector's stories in Japan, that of the artist Takashi Murakami, as well as the exhibition she curated in 2016 at the Yokohama Museum of Art on Murakami's collection.

The notion of 'Britishness' has long been underpinned by a tangle of contradictions; evocative of both the aristocratic establishment, and its countercultural underside.

Having gathered professional mourners from around the world to perform their laments in New York in 2016, artist and erstwhile Wallpaper* Guest Editor Taryn Simon is now bringing her groundbreaking artwork to London, opening this evening. We caught up with Simon in midst of rehearsals to talk about grief, performance and ephemerality.