CARLOS CRUZ-DIEZ

These works project a sequence of parallel-coloured strips arranged vertically using light onto walls, the ground, the public, objects, and space. A disorientating state of motion is experienced as the space it is projected on transforms and makes transparent all that is within it. This creates an environment where people and objects become one with the work, acquiring the twin roles of actors and authors in a complex chromatic event that unfolds before your very eyes.

First developed in 1974, Environment Chromointerferent challenges the notion of artwork and viewer as separate entities. By changing the relationship between viewer and artwork Cruz-Diez takes people out of the shadows and places them firmly in the spotlight.

*See also Chromointerference

About the Chromointerference

1965’s Chromointerference is composed of two layers; at its base is a sequence of parallel-coloured strips arranged vertically that change colour depending on the distance and movement of the viewer. On top is a transparent surface with a pattern made up of black lines creating interference. This can be stationary - making the movement dependent on the viewer—or in motion, either by hand (Chrominterference Manipulable) or with an engine (Chromointerference Mecanique).

Due to the movement created by the overlaying pattern a volume effect is sometimes visible, creating depth where none exists. The colours of the modules brighten and change. According to Cruz-Diez this work is a ‘false prism’ as it reproduces the colours of the light spectrum using the second layer of black lines.