
‘The installation is aligned along the length of the space, a forward movement at various tempi. The rhythm of the movement is generated by the interaction of occupied space and spacing, both in terms of the entire space as well as within individual sculptures. There is a contrast between gentle exercise and very straight movement that cuts the space sharply. In addition to the horizontal forward movement, there are different levels in the vertical. Ground and wall, with their different physical implication, are integrated in the work.’–Valerie Krause
Galerie Greta Meert is pleased to show recent work by Valerie Krause (°1976 Herdecke, Germany). This is the second collaboration between the gallery and the artist. Krause started her artistic career as a student in stonemasonry. The training introduced her to the practical and categorical treatment of materials such as stone or concrete. Later, she shifts direction. At the Kunstakademie Düsseldorf, Krause develops her sculpture techniques. Her artistic path is defined by a harmonious engagement with both nature and culture.
Valerie Krause’s method is synthetic; her design is free and open. In her work’s composition, there’s a large tension, both on a material level–static/dynamic, hard/soft, solid/volatile–as in terms of design: open/ closed, geometric/anthropomorphic, streamlined/erratic. Transition moments, such as the transformation of materials or a change of direction, are respected, oftentimes even emphasised. It’s as if the sculptures involve a series of contrasts, of softness and hardness, smooth and rough, colour and anti-colour, et cetera.
Krause’s free plastic art is determined by the characteristics of the very tactile materials used, and their combinations–or more spatial constructions, with a strong linearity that creates certain lines of fracture in space. A pronounced plasticity makes sure the works don’t blend with their surroundings.
Valerie Krause’s (b. 1976, Herdeke, Germany) work is concerned with movement, posture and gesture. She uses everyday materials, which she transforms to a point of transition to explore a sculptural space between solid and fluid, between balance and gravitation. She lives and works in Düsseldorf, Germany.


Over the past 30 years, Galerie Greta Meert established itself as one of Brussels’ leading contemporary art galleries. Founded in 1988 as Galerie Meert Rihoux, it was subsequently renamed after its founding director Greta Meert in 2006. Located in the center of Brussels, the gallery occupies a five-story Art Nouveau building designed by Louis Bral and renovated for the gallery by renowned Belgian architects Hilde Daem and Paul Robbrecht. Since 2012 three floors of the building are dedicated to exhibitions, making it possible to maintain an expanded exhibition schedule.

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